A tour de force of Willem de Kooning’s gestural style, Easter Monday (1955-56) bristles with energy. Angled forms and lines collide, overlap and penetrate one another, while transferred newsprint, particularly visible at the bottom and top right, enforces a tenuous, grid-like structure. The work appears to be in simultaneous processes of creation and destruction, a perpetual state of both realization and erasure that finds some analogy in the continuous growth and decay of nature.
Continue reading Modern Art Monday Presents: Willem de Kooning, Easter Monday
Tag Archives: abstract
Modern Art Monday Presents: Rafaël Rozendaal, Abstract Browsing 17 03 05 (Google)
Abstract Browsing 17 03 05 (Google) (2017) is a machine woven tapestry depicting an abstract version of the Google browser’s interface. To produce his Abstract Browsing series, Rafaël Rozendaal created a plug-in for Google’s Chrome Browser. Available to anyone online, it reduces images and text on any website visited to colored rectangles. The artist surfs the web every day using his plug-in and compiles thousands of screenshots, which he then narrows down to a small selection to be produced as tapestries. Continue reading Modern Art Monday Presents: Rafaël Rozendaal, Abstract Browsing 17 03 05 (Google)
Christopher Chiappa’s Compositions at Kate Werble Gallery
When last we visited Kate Werble Gallery for one of sculptor Christopher Chiappa’s immersive exhibits, the place was covered wall-to-wall, floor-to-ceiling with Fried Eggs, and that was a good time. For his fourth exhibition at the gallery, Chiappa has installed in its front and back rooms two collections of what, on first glance, appear to be brightly colored, painted wooden tables. On closer examination, however, the at once familiar table shapes of Chiappa’s sculptures transmute and metamorphose into increasingly whimsical and delightful forms as you progress through the galleries. It’s a hoot.
Continue reading Christopher Chiappa’s Compositions at Kate Werble Gallery
Modern Art Monday Presents: Eva Hesse, Untitled Abstract Painting
This Untitled Abstract Painting (circa 1963 or 64) is one of the last paintings made by Eva Hesse before she switched to sculpture. Its deconstructed symbols, figures, and shapes evoke natural forms and bodies without ever being directly identifiable. Delicate brushwork, soft colors and a light, witty touch lend this work a feminine quality that she intended as a rebuke to the masculinity of Minimalist Art. Hess was reading Simone de Beauvoir’s The Second Sex at this time, and the text led her to question her own fragmented status as artist, woman and wife. Her work, though not overtly political, explores these issues in poetic, expressive abstractions.
Photographed in the Jewish Museum in NYC.
Modern Art Monday Presents: Elizabeth Murray, Once
In 1978, Elizabeth Murray (1940 – 2007) made a series of irregular, star-shaped paintings with the aim, she said, of “trying to complicate and obfuscate the edges” of her medium. Indeed, the jostling contours and vivid colors of Once appear to explode outward, as if pressing the very form on the canvas into new arrangements. Murray’s dynamic compositions, charged brush strokes, and radical disruption of the frame transform the picture plane into both surface and object. While these paintings appear purely abstract, hints of imagery and reference return in subsequent works. Drawing on Cubism, Surrealism and Minimalism, Murray’s fragmented geometries and biomorphic shapes reinvigorated formalist painting in the 1970s and 1980s.
Photographed in the Metropolitan Museum of Art in NYC.




