Tag Archive | Arms

Modern Art Monday Presents: Louise Bourgeois Untitled (No. 2)

Untitled (No. 2)
Photo By Gail

Louise Bourgeois‘ two hands engaged in an intimate caress sit incongruously on a roughly chiseled, seemingly unfinished base. In the early 1930s, Bourgeois studied with Charles Despiau, one of Auguste Rodin’s assistants; she may well have learned about Rodin’s marble sculptures of hands from Despiau. Later, in 1967-68, she traveled to Pietrasanta, Italy, where she discovered the same marble quarries from which Michelangelo sourced his material. It was at this point that Bourgeois adopted the medium. As the artist once said of the difficult task of working with marble,” you have to win the shape.” Her fight to conquer the block of marble is left visible here in this work from 1996.

Untitled (No. 2) was Photographed in The Met Breuer (former home of The Whitney Museum), in Manhattan, where it is part of the Museum’s Inaugural Exhibit, Unfinished: Thoughts Left Visible.

Hans Op De Beek, The Drawing Room at Marianne Boesky Gallery

Installation View with Geoffrey
Installation View With Geoffrey! (All Photos By Gail)

Marianne Boesky Gallery is currently hosting The Drawing Room, an exhibition of new work by Belgian artist, Hans Op de Beeck who works across all media including large installation, sculpture, video, animation, photography, watercolor, drawing, text, and music. His work is a wide-ranging reflection on the tragicomic way in which humans stage and organize their lives, discussing how we deal with both space and time and with each other, and how we often lose the plot along the way. Implementing seemingly banal images, Op de Beeck touches on big, universal themes, frequently serving as a memento mori for the artist. He seeks to find a balance between seriousness and a sense of perspective, between banality and the extraordinary.

Cityscape (The Road), 2015
Cityscape (The Road), 2015

In 2009, Op de Beeck first showed a collection of large watercolors in his solo exhibition In Silent Conversation with Correggio at the Galleria Borghese in Rome, Italy. Since then, Op de Beeck has worked steadily on what is now an enormous series of black-and-white watercolors of fictitious places, landscapes, characters, and objects. Within these works, free association gives rise to images suffused with a sense of melancholy, and between the lines collective themes and emotions are conveyed.

Two Women

In The Drawing Room, Op de Beeck reveals a new series of watercolors in which postmodern landscapes sit side by side with more universal, anonymous images. The artist painted these watercolors during the night, after all of the machines in his studio were switched off, the phones stopped ringing, and his staff had left, sometimes taking until dawn to complete the work at hand.

House

Nighttime
Night Time Film

Op de Beeck utilized the watercolors he has produced over the last six years to create his latest animation on view, Night Time (extended). The film takes the viewer on a silent, enigmatic journey through invented, nocturnal settings that are sometimes populated with unknown figures. The images are primarily timeless in nature, but often show contemporary cultural and subcultural references as well. Many of the frames have a cinematic feel, attributed to ‘establishing shots,’ grand panoramic views, and ‘close-ups’ of bodies and props.

Clouds

Vanitas (Variation) 2, 2015
Vanitas (Variation) 2, 2015

The film and watercolors are complemented in The Drawing Room by two sculpture series. The first, Vanitas Variation, consists of wall sculptures made from solid grey plaster. These monochromatic works combine conventional objects from the still-life genre – candlesticks, glasses, and open books—with more contemporary objects such as soda cups, cell phones, spray cans, and cigarette butts.

Vanitas (Variation)

Gesture (Cherishing), 2015
Gesture (Cherishing), 2015

The second series, Gesture, shows life-size arms (the artist’s) performing simple actions: a hand offering a few blackberries, two hands holding something fragile, a hand calmly writing. The unspectacular gestures bring poetry and solace into daily ritual, and the fossilized scenes from both sculpture series form just another part of Op de Beeck’s mute, somnolent, and nocturnal universe.

Gesture (Tree), 2015
Gesture (Tree)

The Drawing Room, an exhibition of new work by Hans Op de Beeck, will be on Exhibit Through May 2nd, 2015 at Marianne Boesky Gallery, Located at 509 West 24th Street, in the Chelsea Gallery District.

Hans Op De Beek Signage