Asger Jorn (1914 – 1973) was a founding member of CoBrA, a European artists coalition active from 1948 to 1951 that emphasized material and its spontaneous application. Even after 1957, when Jorn began participating in the Situationalist International — a group of writers, artists and theorists who sought to destabilize societal practices and structures — he continued to work within the CoBrA aesthetic, as seen in A Soul For Sale (1958 –59). With its expressive brushwork and its collapsing of foreground and background, figuration and abstraction, this painting articulates some of Jorn’s most significant interrogations of the precepts of geometric abstraction.
The Graffiti Box Truck is not that rare of a thing in NYC; you see them all the time. But what is rare is one that features contributions from maybe a half-dozen graffiti artists from across the globe. This one features tags and murals from Scaner (Canada), Harry Bones (Spain), RASK (Los Angeles), Hoacs (NYC), MUSA (Spain) and others, and that’s just what I could see on the two sides of the truck that I was able to shoot from the sidewalk!
From what I could gather from Google searches, this truck has been on the street at least since 2018.
We set out on a very satisfying Street Art Safari this past weekend in Williamsburg, Brooklyn — a great neighborhood to in which to capture the Big Game, such as this really vibrant Cobra Mural by the artist known as Woodz. This mural is located on the south side of North 8th Street just east of Berry Street.
Here is a photo of the full mural, taken from its west end. You can see that an Eagle is also involved.
A bright red Lotus Flower caps the mural and its easternmost tip.
Here’s a better shot of the Eagle. Woodz is also a tattoo artist and owner of Magic Cobra Tattoo Society in Brooklyn. See more of his work at This Link!