The official name of this design is Death: Post Punk Fan (Joy Division) and it is by artist Anderson Green Devil based on Death, one of the seven Endless characters in Neil Gaiman’s Sandman series.
Sadly, this design has been discontinued, but check out a cool alternative design at This Link!
Mirror Stratum (1966) by Robert Smithson (1938 – 1973) is made up of Stacked Mirrors on a Formica-Covered Base and makes for such a lovely, pyramid-shaped reflective thing to try to get decent photos of. The reflection you see slightly in the above photos is a fragment of the phrase, “Wall Pitted By a Single Rifle Shot,” which is a caption (itself a work of art by Lawrence Weiner) written high across the wall closest to the sculpture.
On July 20, 1973, Smithson died in a plane crash, while surveying sites for his work Amarillo Ramp in the vicinity of Amarillo, Texas. He was 35 years old. Despite his early death, and relatively few surviving major works, Smithson has a following amongst many contemporary artists.
Mirror Stratum By Robert Smithson is part of the permanent collection at The Museum Of Modern Art in NYC.
Iconic Film Critic and author Roger Ebert passed away today, April 4th, 2013, after a lengthy battle with cancer. He was 70 years old. The Chicago Tribune, has a loving obit at This Link. RIP Roger, I miss you already.
American painter, illustrator and sculptor Richard Artschwager passed away on February 9th at the age of 89. I recently visited the Whitney Museum here in Manhattan and had the chance to see a retrospective of Artschwager’s work, which surprised me with its diversity and freshness.
Exclamation Point (Chartreuse) Soft Sculpture by Richard Artschwager at The Whitney Museum .
Read more about the artist’s life and work at This Link. RIP.
Just when you thought the art reporting on this blog couldn’t get any more exciting, Jeff Soto, one of our very favorite American contemporary artists, returns to Jonathan LeVine Gallery for his fourth solo exhibition! Having been deeply affected by the  recent passing of two of his grandparents, Soto’s new series of works Decay and Overgrowth is his memento mori of sorts. For Decay and Overgrowth, Jeff maintains many of his signature motifs while incorporating a distinctive fecundity in the  broad use of new colors, such as mossy green, and images of plants and vines that entwine through skulls in a series of paintings that seem to personify the members of Soto’s family.
Cora
Joe
Kathryn
Man
Expanding upon the themes explored previously in Lifecycle, Soto’s solo 2010 exhibition, works in Decay and Overgrowth deal with the passage of time, early man and life after death, as well as primitive myths and legends attempting to explain the unknown. A connective thread of mortality runs throughout the work, conveying themes such as the transient nature of life, brevity of the average lifetime and inevitability of death.
Monster
Soto selected symbols of hope and growth to symbolize the cycle of life, death and rebirth. Organic shapes and elements such as mountains, plants, flowers, rocks and crystals are juxtaposed with manmade objects such as cell phone towers, weapons, polished gems and modern architecture. The resulting imagery combines a bit of magic, unanswered questions and a glimpse into the unknown.
Jeff Soto at Jonathan LeVine Gallery
I found this exhibit to be deeply moving and also life affirming. Jeff Soto was at the opening reception on Saturday and he was just the nicest person you could meet, signing a card for me and also posing with his art for this post. Thanks Jeff for your beautiful art and also for being so cool.
The Bike Ride
Jeff Soto’s Decay & Overgrowth will be on exhibit through October 6, 2012Â at Jonathan LeVine Gallery, Located at 529 West 20th Street, 9th floor New York City. Gallery Hours are Tuesday through Saturday, 11:00 AM to 6:00 PM.
Fans Enjoy Jeff Soto’s Art at Saturday’s Opening Reception