Joey Jordison (Center) WithThe Murderdolls in 2003 (Image Source)
Musician Joey Jordison, best known as the legendary original drummer for Slipknot, and guitarist for The Murderdolls, passed away on Monday, July 26th, 2021 from the neurological disease transverse myelitis, which he had suffered with for many years. This is very sad news, not only because Joey was an extremely talented musician, but because he was a cool guy who was just too young to go.
This interview, which was conducted in person by me for the now defunct MK Ultra Magazine, took place in 2003, while Jordison was doing press for The Murderdoll’s debut, Beyond the Valley of the Murderdolls. I pulled this from my archives this morning, to re-post here on The ‘Gig. It is not available in its complete form anywhere else on the web, so I thought it would be a nice remembrance for the enjoyment of Joey’s fans, and those who loved him. Goodspeed, Joey.
Rock You To Death
An Interview with Murderdolls Guitarist, Joey Jordison
By Gail Worley
The most important lesson I learned from conducting the following interview with Murderdolls guitarist Joey Jordison is to never, ever do an interview in a conference room that has no ceiling, especially when the floor outside said conference room is a highly polished wood floor. Because here’s what happens whenever someone walks by the room: not only does your tape recorder pick up the clomp-clomp-clomping of their shoes as they walk the hallway, but the echo from their clomping footsteps rises up over the walls of the room in which you’re trying to do the interview, creating an echo chamber wherein, upon playback of the recorded tape, every single one of my questions and every single one of his answers sounds like the chorus to a Morbid Angel song. Live and learn.
There are not many philanthropists like Eli Broad, who died on April 30th, 2021 at the age 87. In his lifetime, Broad and his wife Edith amassed a personal collection of over 2,000 works of contemporary art, which they then donated to the city of Los Angeles (and the world), building a namesake museum to house them all for your enjoyment. Who does that? Amazing. You can read more about Eli Broad’s life of service in his obituary from the NY Times at This Link. Read all about my super fun visit to The Broad Museum shortly after it opened in 2015, and see some choice pieces of the collection, at This Link. RIP.
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Apple Sculpture By Claude LaLanne Photogpraphed at Paul Kasmin Gallery By Gail in January 2019
They say that celebrity deaths come in threes. This past week we said goodbye to playwright Terrence McNally, legendary Drummer Bill Rieflin and, on a local scale, NYC Gallerist and Photographer Paul Kasmin, whose renowned Chelsea galleries have provided Worleygig.com with amazing content for more than a decade. Having celebrated his 60th birthday in February, Kasmin was just one year older than me. Mark Ryden, Nir Hod, Will Ryman, Ian Davenport, Erik Parker, Ron Arad, Designer Mattia Bonetti, husband and wife artist team Les Lalannes, and Photographer David La Chapelle are just few of the eye-opening talents I was introduced to at various Kasmin Gallery shows. Geoffrey I had so many good times there.
Getty Sheep Station By Francois Lalanne, September 2013
What follows is the gallery’s official statement on Paul’s passing:
It is with great sadness that we must give news of the loss of Paul Kasmin (1960–2020). Paul passed away early this morning, March 23, after a long period of illness.
Opening his first New York gallery in 1989, Paul devoted himself to a life celebrating art and artists. Those of us who have worked with Paul learned from his extraordinary eye for talent, his delight in the work of the artists he loved, and his rare sense of openness and generosity.
Paul took great pleasure in overseeing all aspects of the gallery until the very end, and it was his sincere wish, and in his plans, that his vision for Kasmin continue as ambitiously as ever.
In the last few years, Paul continued his lifelong passion for photography with renewed enthusiasm. Taking pictures of his family, friends, and the gallery artists and staff, he built a collective portrait of his artistic community. We invite you to view these works on our website, reflecting on the enormous contribution that Paul made to the arts during his lifetime.
Selections from Paul Kasmin’s photography portfolio can be viewed now via the Kasmin Gallery website at This Link. Thank you for all the great art, Paul, and Rest in Peace.
If you’ve already been to the absolutely phenomenal Rolling Stones ‘ career retrospective, Exhibitionism (which, go!), you may recognize this drumkit belonging to drummer Charlie Watts, which is on display in the recording gallery. This 1965, 4-piece Ludwig kit in a Sky Blue Pearl shell finish with a keystone badge (indicating a drum made in the 1960s), was used from 1965 -to mid-1968 by Watts on most of the band’s studio recordings and live performances.
David Bowie as Aladdin Sane By Rugman (Photo By Gail)
Planet Earth is Blue, and There’s Nothing I Can Do…
It seems hilarious to think that I was six years old when David Bowie released his self-titled debut album, which would have been on June 1st of 1967. Coincidentally, and in an act of incredibly bad timing on Bowie’s part, that was the shared release date of another album you may have heard of: The Beatles’ Sgt Pepper’s Lonely Hearts Club Band. What a way to ensure that your most heartfelt artistic efforts are completely and totally eclipsed by another act! Bad Timing! In hindsight, also hilarious.
Point being that David Bowie has been part of the soundtrack for me since childhood. Surprisingly, in 2014 (four decades on) I learned more about the guy than I ever imagined I didn’t know. First, Showtime aired David Bowie: Five Years, a fantastic documentary spanning five key years in Bowie’s music career that was just one mind-blowing revelation after another. For example, I had no idea that Legendary keyboardist Rick Wakeman played piano all over Hunky Dory. Who even pays attention to stuff like that? Mind blowing. Five Years definitely deepened my respect and admiration for the man, his music and his insane contribution to global pop culture. David Bowie was a Musical Genius!
If you have ears and eyes and you are a David Bowie fan, then you also probably heard about David Bowie Is; the universally critically lauded, career retrospective that became the fastest-selling exhibition in London’s Victoria & Albert Museum’s history. The David Bowie Is exhibition — which featured over 300 items including photos, costumes, artwork, hand-written lyrics, stage props, videos and other items from David Bowie’s Personal Archives toured Toronto, Sao Paulo and Berlin, and Chicago’s Museum of Contemporary Art — its only stop in the US, among other destinations. At that same time, a documentary film about the touring art exhibition, also called David Bowie Is, had a one-night only screening in various theaters across the country. I saw the film in NYC and it was so exciting that it made me want to spend a thousand dollars just to go to Chicago and see the exhibit. Directed by Hamish Hamilton, the film was an excellent primer and would certainly have greatly enriched your visit, should you have had exhibit tickets at the ready. For those who wwere never able to view the exhibition in person, this film is the next best thing.
In addition to a detailed tour of the exhibition’s key features, the film included tons of back-story and insights from curators Victoria Broackes and Geoffrey Marsh who serve as onscreen hosts and narrators. And let me tell you, they know their shit. One of my favorite parts of the film is a viewing and explanation of extensive, illustrated storyboards that Bowie created for a film to be based on the Diamond Dogs album. It is unreal. You’ll also hear conversations with exhibit-goer-fans, and commentary about Bowie’s far-reaching influence with pop taste-makers such as Pulp’s Jarvis Cocker and fashion designer Kansai Yamamoto, who created the iconic costumes from the Aladdin Sane tour that you’ve been looking at in photos for years.
Everybody who loved him has a David Bowie Story, but I was never so fortunate as to meet him in person or even interview him over the phone, and the only time I saw Bowie play live was when he toured with Nine Inch Nails; a show which I recall absolutely nothing about. So, my story is to recommend watching these two films, if you have not yet seen them. David is gone now, and all we have are our shared memories of him and a life well-lived. Godspeed.
Statement from the Family of Gail Zappa on the Occasion of Her Passing:
Gail Zappa, wife of the late Frank Zappa, passed away on Wednesday, October 7, 2015 at her home, surrounded by her children. She was 70 years old.
Married to Frank Zappa at age 22, Gail was a trailblazer, giving equal value to her domestic and professional responsibilities as matriarch of the family and overseer of all Zappa enterprises. She devoted herself to partnering with her husband in the music business and raising their children, Moon Unit, Dweezil, Ahmet and Diva.
Gail enthusiastically executed her role as guardian of her husband’s creative life and, with his passing, strove to ensure his legacy as one of the leading American composers and musicians of the 20th century. In this and all business endeavors, she passionately advocated to establish clear definitions of intellectual property and copyright laws on behalf of not just her husband, but all artists. While she conducted intricate legal negotiations with corporations as executor of the Zappa Family Trust, she never failed to impart the sense of humor that was part and parcel of her indomitable and formidable personality. Self-described as a pagan absurdist, Gail was motivated by love in all aspects of her life, kept her authenticity intact, unbowed and, simply put, was one bad ass in the music business and political world
Gail will forever be identified as a key figure in the creative renaissance that is Laurel Canyon. But more than any singular accomplishment, she defined herself in her personal relationships, happiest when surrounded by loved ones and artists, often one in the same. The memories she leaves behind are indeed her own art form. Her searing intelligence, unforgettable smile, wild thicket of hair and trailing black velvets leave a blur in her wake.