Anyone who grew up in the 70s, loving bands like Queen and David Bowie, knows the legacy of photographer Mick Rock. Along with the equally phenomenal Bob Gruen, Rock was a photographer whose skilled eye captured images – fleeting moments in rock history – that were every bit as important to the times as the music being made by those he was shooting. It is not at all surprising that Mick Rock is also known as “The Man Who Shot the 70s.” It was sad news indeed to hear of Rock’s passing on November 18th due to complications from a two-year battle with cancer. He is surely irreplaceable. RIP, Mick!
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Joey Jordison (Center) WithThe Murderdolls in 2003 (Image Source)
Musician Joey Jordison, best known as the legendary original drummer for Slipknot, and guitarist for The Murderdolls, passed away on Monday, July 26th, 2021 from the neurological disease transverse myelitis, which he had suffered with for many years. This is very sad news, not only because Joey was an extremely talented musician, but because he was a cool guy who was just too young to go.
This interview, which was conducted in person by me for the now defunct MK Ultra Magazine, took place in 2003, while Jordison was doing press for The Murderdoll’s debut, Beyond the Valley of the Murderdolls. I pulled this from my archives this morning, to re-post here on The ‘Gig. It is not available in its complete form anywhere else on the web, so I thought it would be a nice remembrance for the enjoyment of Joey’s fans, and those who loved him. Goodspeed, Joey.
Rock You To Death
An Interview with Murderdolls Guitarist, Joey Jordison
By Gail Worley
The most important lesson I learned from conducting the following interview with Murderdolls guitarist Joey Jordison is to never, ever do an interview in a conference room that has no ceiling, especially when the floor outside said conference room is a highly polished wood floor. Because here’s what happens whenever someone walks by the room: not only does your tape recorder pick up the clomp-clomp-clomping of their shoes as they walk the hallway, but the echo from their clomping footsteps rises up over the walls of the room in which you’re trying to do the interview, creating an echo chamber wherein, upon playback of the recorded tape, every single one of my questions and every single one of his answers sounds like the chorus to a Morbid Angel song. Live and learn.
There are not many philanthropists like Eli Broad, who died on April 30th, 2021 at the age 87. In his lifetime, Broad and his wife Edith amassed a personal collection of over 2,000 works of contemporary art, which they then donated to the city of Los Angeles (and the world), building a namesake museum to house them all for your enjoyment. Who does that? Amazing. You can read more about Eli Broad’s life of service in his obituary from the NY Times at This Link. Read all about my super fun visit to The Broad Museum shortly after it opened in 2015, and see some choice pieces of the collection, at This Link. RIP.
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Apple Sculpture By Claude LaLanne Photographed at Paul Kasmin Gallery By Gail in January 2019
They say that celebrity deaths come in threes. This past week we said goodbye to playwright Terrence McNally, legendary Drummer Bill Rieflin and, on a local scale, NYC Gallerist and Photographer Paul Kasmin, whose renowned Chelsea galleries have provided Worleygig.com with amazing content for more than a decade. Having celebrated his 60th birthday in February, Kasmin was just one year older than me. Mark Ryden, Nir Hod, Will Ryman, Ian Davenport, Erik Parker, Ron Arad, Designer Mattia Bonetti, husband and wife artist team Les Lalannes, and Photographer David La Chapelle are just few of the eye-opening talents I was introduced to at various Kasmin Gallery shows. Geoffrey I had so many good times there. Continue reading RIP NYC Gallerist Paul Kasmin→
If you’ve already been to the absolutely phenomenal Rolling Stones ‘ career retrospective, Exhibitionism (which, go!), you may recognize this drumkit belonging to drummer Charlie Watts, which is on display in the recording gallery. This 1965, 4-piece Ludwig kit in a Sky Blue Pearl shell finish with a keystone badge (indicating a drum made in the 1960s), was used from 1965 -to mid-1968 by Watts on most of the band’s studio recordings and live performances.