How much did you love the Netflix adaptation of Neil Gaiman’s The Sandman? Seriously, it was just insane. I can only pray that a season two and more are in the works! While we’re waiting for that, why not wear the names of The Endless on your rockin’ body? This design by Krobilad is available on a variety of shirt styles and other swag at This Link!
Anyone who grew up in the 70s, loving bands like Queen and David Bowie, knows the legacy of photographer Mick Rock. Along with the equally phenomenal Bob Gruen, Rock was a photographer whose skilled eye captured images – fleeting moments in rock history – that were every bit as important to the times as the music being made by those he was shooting. It is not at all surprising that Mick Rock is also known as “The Man Who Shot the 70s.” It was sad news indeed to hear of Rock’s passing on November 18th due to complications from a two-year battle with cancer. He is surely irreplaceable. RIP, Mick!
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While most of the street art that I discover on my adventures is clearly tagged, sometimes that tag is hard to decipher, and I need some assistance identifying the artist. By connecting with artists on Instagram, I’ve learned that they all seem to know and support each other, which is cool and very helpful. If I don’t know the artist behind a work that I want to put on the blog, and the first person I ask doesn’t know, then they know someone who does. This is how I ended up connecting with the creator of an unsigned series of works that I’ve been seeing on the streets, and documenting, since around Christmastime last year. Each of the paste-ups in this very distinctive series features one to three still life images accompanied by a one-word title, and the artist’s signature conspicuously absent. If you live in the east village or downtown, there’s no way you haven’t seen them. All I can say is that they speak to me.
Bruce Nauman’s neon sculpture, Human Nature / Life Death (1983) is a circle of words corresponding to the defining contradictions of human existence — life and death, love and hate, pleasure and pain — are trisected by the words Animal, Human and Nature.
During his short but prolific career, David Wojnarowicz worked in writing, painting, photography, film, music, performance and installation. Unapologetically making art about homosexuality during the peak of the AIDS crisis in New York, Wojnarowicz exposed the marginalization and suppression of a stigmatized community.
As a self-taught artist, Wojnarowicz created an iconography that is at once personal and universal. His work as an artist is inseparable from his work as an activist, in which he aimed to bring awareness to that which was made invisible, namely homosexuality.
David Wojnarowicz died from AIDS in his Manhattan home on the night of July 22, 1992. More than 20 years after his untimely death, Wojnarowicz’s work continues to elicit strong reactions and provoke censorship. His work has served as an inspiration to many artists, including Zoe Leonard, Victoria Yee Howe, Matt Wolf, Emily Roysdon, Henrik Olesen, Mike Estabrook, and Carrie Mae Weems.
David Wojnarowicz, The Newspaper as National Voodoo: A Brief History of the U.S.A. (1986) was Photographed in The Broad Museum in Downtown Los Angeles.