This visually arresting, deep-teal hued Gothic sofa by Kimbel and Cabus (circa 1875) presents a paradox. The angled arms and legs meet to suggest adjustability or flexibility, but the strong mortise-and-tenon joints that secure the legs and rails render motion impossible.
By creatively inverting German architect Edwin poplar’s angled rear chair leg, the firm created a surprisingly forward-looking sofa design.
Photographed in the Brooklyn Museum as Part of the Exhibit Modern Gothic: The Inventive Furniture of Kimbel and Cabus, 1863–82, on View Through February 13th, 2022.
Kei Kagami is a Japanese architect and designer living in London whose conceptual, avant-garde designs have been referred to as Torture Couture for their integration of mechanical elements and contraptions. What’s closer to the truth is that they are, like the haute couture of a designer like Alexander McQueen, wearable works of art.
Anatomy, biology, ecology and futurism combine in his more surreal designs in which glass tubes, vials and magnifying glasses are used to break the traditional boundaries and tackle themes of transformation, and a garment’s interaction with the wearer. Using an eclectic mix of materials such as silk, lether, metaol, plastic an glass, Kagami’s conceptual pieces are always informed by his study of architecture.
The Anatomy1 Ensemble (2007) was originally featured in the Museum at FIT’s 2008 show, Gothic: Dark Glamour, but it can also currently be seen as part of Exhibitionism: 50 Years of The Museum at FIT, on view through April 20th, 2019.
If there were ever an art gallery that offered a fully immersive sensory experience reflective of the art it most expertly represents, that would be Last Rites Gallery. Hitting its stride as the perfect comforting /disquieting mutation of a Victorian Gothic sitting room and an abattoir, Last Rites showcases the best of contemporary Dark Pop, Surrealism and Horror Art like nobody’s business. Brooklyn’s Stephen Romano Gallery certainly mines a similar vein (and we are, of course, huge fans), but there is only one Last Rites. Also: there’s a tattoo parlor in the basement.
Alice Cooper with Dennis Dunaway Clone to his Left
It’s not exactly a secret that singer Alice Cooper has a small part in the new Tim Burton film version of the 1970s Gothic TV Soap Opera Dark Shadows. What I didn’t know until I saw the film yesterday is that it’s not justCooper but the entire original band called Alice Cooper that’s recreated for several scenes taking place during a ball at the Collin’s family mansion, Collinwood. For these scenes, Alice fronts a group of actors who mime to the band’s hit “No More Mr. Nice Guy” as well as the fan favorite “Ballad of Dwight Fry” from 1971’s Love It To Death. I must say that Burton did a terrific job of casting actors who look remarkably like original band members Glen Buxton, Mike Bruce and Dennis Dunaway (see photo above). And while the actor playing drummer Neal Smith is mostly hidden behind Alice during the performances, at least he appears to have Smith’s trademark long blond hair.
Worleygig.com has learned from a source inside the Alice Cooper camp that the concept of giving the audience an authentic, 70s-era Alice Cooper Band experience is owed not just to Tim Burton but also primarily to Johnny Depp (who must be a fan) and Burton’s team executed it beautifully, and as well as they could given the infinitesimally brief amount of screen time given to anyone other than Alice. It is certainly a deserved homage to one of the most innovative and enduring American bands of the seventies. What makes this story even more interesting though is the fact that Cooper’s former band mates (who were all inducted into the Rock & Roll Hall of Fame in 2011) apparently had no idea they were being represented in the film. Apart from being aware that Alice had a cameo in Dark Shadows, drummer Neal Smith told me on the phone that Alice hadn’t offered him any details on the part and that he was hearing about the entire original band being represented in the film for the first time from me. One might think that with the Hall of Fame induction last year, Cooper would consider that having their likenesses portrayed in a major motion picture would be newsworthy to his former band mates. But then again, why would he. Overall, I really loved the film, even though I was expecting to be disappointed, and thought the Alice Cooper band bits were lots of fun, “No More Mr. Nice Guy” being my favorite song from the original band and all. it Have you seen Dark Shadows? If so, what did you think?