For more years than I can recall, I’ve been photo-documenting the proliferation of David Bowie’s likeness on assorted things ranging from art and street art, to holiday ornaments, toys, books, mugs, magnets, what have you. With a few exceptions, most of these photos never make it into a blog post: I just like to collect them. Because, David Bowie. After recently spotting two pieces of Bowie-inspired street art on the same block in Greenpoint, I finally decided to load them all into one big Bowie extravaganza. Please enjoy!
Though Edward Godwin initially worked in the Gothic Revival style, beginning in the 1860s he was increasingly influenced by the culture of Japan; collecting Japanese art and studying that country’s architecture and furnishings in ukiyo-e prints and Western publications. Inspired by such sources and frustrated with the commercial furniture then available, Godwin created spare designs such as this Sideboard in which the structural supports are the dominant, decorative element. The work’s primary aesthetic is achieved, as Godwin said, “by the mere grouping of solid and void.” Godwin made the first version of this sideboard for his own home in 1867.
Photographed in the Art Institute Chicago.
Earlier this week, I attended a party at The Cutting Room and ran into my friend Billy Amendola, who I got to know during my 13 years spent writing for Modern Drummer magazine. Billy is not only a fantastic writer and editor, but he’s also quite an accomplished working drummer, having racked up a couple of dance hits during the 70s with the band Mantus, as well as playing drums on many of Debbie Gibson’s hits. Billy told me about a project he just completed called Influenced, featuring a song he wrote with a couple of his industry friends called “She Does.” He turned me on to the video, and I was instantly blown away by how much this track sounds like The Beatles.
Actually, The Beatles comparison is not at all surprising, when you consider that they recruited producer Mark Hudson for lead vocals. I remember having a ridiculous crush on Mark Hudson when I was probably 13, and he and his two brothers, Brett and Bill (father of actress Kate Hudson) had a summer replacement television series, The Hudson Brothers comedy variety hour. I even owned a couple of the Hudson Brothers excellent albums, which I absolutely adored because all of their songs sounded so much like The Beatles.
In his career, Mark has worked with huge hit makers including Ringo Starr, and I know Billy is also a huge Beatles fan, so, again, the similarity is no surprise. What’s also a standout on this track is how guitarist Vinnie Zummo (formerly with Joe Jackson) completely channels George Harrison’s Elmore James-influenced slide guitar.
The track was produced by Billy’s son, Matty, who I used to fondly refer to as “Matty’s Fro,” owing to his impressive Afro hairstyle! Matty has gone on to become quite adept producer and multi-instrumentalist in his own right, and it’s fantastic to hear father and son working together on such a solid track. Please enjoy!