Randall Harrington’s Gun Magnet is but one example of the sculptor and painter’s statement work. Known for his high-concept fabrications of recomposed weaponry, Toastasaurus herds and eerily human robots, the Los Angeles-based artist found his niche in metal and mixed media after years of assisting big-name installation and performance artists working in film-set design. The Gun Magnet wool tapestry (2019, above) was inspired by the bronze sculpture (2014), seen below.
Photographed as Part of Beyond The Streets in Williamsburg, Brooklyn.
This very topical stencil graffiti/street art, “Guns Don’t Kill People, Selfies Do,” was spotted all over Soho, but specifically on Prince Street. The slogan, by tagger WhIsBe, has been around since the beginning of 2015, but this stencil is new, likely inspired by news stories like This One. Natural selection at work.
When we were invited to an art opening last week at Other Criteria, Damien Hirst’s high-end gift shop / gallery on Broome Street in Soho, the first thing I thought of was, why have I not been to Other Criteria during its entire first year of existence? Seriously, WTF have I been up to? I wish could tell you. Continue reading Eduardo Sarabia’s Ballads at Other Criteria→
All Photos By Gail (Click on Any Image to Enlarge for Detail)
You don’t have to dig very deep to find a well of meaning in the works that make up sculptor Al Farrow’s new exhibit Wrath & Reverence, currently up at Forum Gallery in Midtown. In perhaps the most unique and profoundly thought provoking exhibit we’ve see in recent years, Wrath & Reverence consists of churches, synagogues, mosques, a mausoleum, Jewish ritual objects and Christian ‘casket’ reliquaries, all rendered from munitions. It brings the phrase ‘Holy War’ into an entirely new reality.
Mosque III (After National Mosque of Nigeria)
The buildings are highly detailed and faithful to reality in terms of proportion and architectural design.
Bombed Mosque (Front)
One monumental sculpture, Bombed Mosque, took the artist a year to create in his California studio, using more than 50,000 disarmed bullets and shell casings. The patterns and decorations formed from patinated and polished bullets adorn the structure in hauntingly accurate turquoise and gold; but one side of the massive dome is blown open, bombed in fact, speaking to the deep chasm between religious sects.
Bombed Mosque (Back)
Menorah (Fence II)
A Menorah, crafted from barbed wire and machine gun shells, is clearly layered with meaning and reference, but is an object of great reverence as well, attuned to past and present while statuesque and compelling in its presence.
Farrow makes art not about a certain religion, but about the repetition of history, the inexorable battle of mankind, and the perversion of organized religion as a whole.
Trigger Finger of Santo Geurro (Detail)
Sacred and profane, metaphoric and literal, gleaming and shocking, Al Farrow’s Wrath & Reverence is unforgettable and deeply moving.
Sketch Of Trinity Church
This exhibit marks my first visit to the Forum Gallery, a legendary space that I was turned on to after being highly impressed with their various exhibits at this years Metro Curates Art Fair.
The room is gorgeous and the people who work in the gallery are very nice and friendly, which can be a rare thing these days. I will definitely be visiting them again, and covering more shows at Forum in the future. For now, make sure you don’t miss Al Farrow’s Wrath and Reverence, which is just fantastic. Mausoleum II
Wrath and Reverence, the Art of Al Farrow will be on Exhibit Through May 2nd, 2015 at Forum Gallery, Located at 475 Park Avenue , NYC.
Surrealist sculptor Scott Hove has become famous for his fantastic fake cakes and cake-like sculptures that he creates using carved foam and traditional cake decorating tools. Spoke Art Gallery in San Francisco is currently showcasing his latest works in a highly topical exhibit entitled Guns & Ecstasy.