If you’re paying attention here, then you might recognize the above Pentagram Hedge as a work by artist Joseph Grazi, from his exhibit, God Complex, which we reviewed here on The Gig last month. But the Pentagram Hedge is such a marvelous thing, that it deserves an encore appearance. Because, Pentagram Hedge.
If you love Skulls and Taxidermy Bats as much as I do, you will flip out over NYC-based artist Joseph Grazi’s new collection of sculptures and drawings, God Complex, up for just three short weeks at Joseph Gross Gallery. Seriously, it is pretty awesome.
According to the shows official press release, these artworks, “illustrate man’s increasing dominion over the natural world. With the human brain being the most complex structure existing in the known universe, we have been given the ability to manipulate the environment as we please and, ultimately, bend nature itself to our insatiable needs.” I can’t say that I disagree with that statement. Continue reading Joseph Grazi’s God Complex at Joseph Gross Gallery
Hedge Two-Way Mirror Walkabout is a site-specific installation by Dan Graham which was installed in April of this year. Comprising curves of steel and two-way mirrored glass set between ivy hedgerows, Graham’s structure is part garden maze, part modernist skyscraper facade. Viewers who enter the work are transformed into performers; in glimpsing their own reflections, they are also made acutely aware of the act of looking.
For the past fifty years Graham has engaged his interest in architecture and the way it structures public space through a multidisciplinary practice encompassing writing, photography, video, performance, and—beginning in the 1970s—sculptural environments of mirrored glass and metal. He calls these hybrid structures “pavilions” after the ornamental buildings that decorate seventeenth- and eighteenth-century formal gardens—architectural fantasies inspired by the ruins of classical antiquity. Continue reading Dan Graham Hedge Two-Way Mirror Walkabout (with Günther Vogt) On The Roof of The Met