Often described as a hybrid between art, architecture, design and landscape architecture, Dan Graham’s freestanding partitions and pavilions — made from two-way mirror glass — sometimes create a kaleidoscopic, psychedelic experience. If you’ve never seen his work in person and missed his Hedge Two-Way Mirror Walk About, which was installed at the Met Roof Garden back in 2014, a new exhibit at 303 Gallery entitled Three Models, Three Sizes, Three Price Ranges offers a fun introduction to the full scope of his oeuvre.
I first noticed the Rose Crystal Tower, a new public art installation from globally famous glass artist Dale Chihuly, as I rode past it while I was on the 14th Street bus. The eye-catching pink sculpture was unveiled on October 6th, 2017 and will stay up for one full year, as part of the NYC Parks’ program Art in the Parks (which is celebrating its 50th anniversary this year). Art in the Parks is responsible for many notable works of art in public green spaces around the city, including the OY/YO installation in Brooklyn Bridge Park.
While it maintains a semi-translucent quality, the Rose Crystal Tower is not actually made of glass, but rather is composed of Polyvitro crystals and steel. According to an announcement from the Parks Department, Polyvitro is “the artist’s term for a plastic material which he casts into individual chunks which resemble glass, but are lighter and more resilient.” There is a similar sculpture at the Chihuly Garden and Glass museum in Seattle, and you can see a bit of that piece in this photo, which I took when I was there several years ago.
I have walked by the Rose Crystal Tower a few times and have taken photos of it from many different angles and in different lighting. It is always gorgeous.
Check out the difference in the way the individual crystal groupings look in the daytime, as compared with how it looks at night, in the shots above and below.
Here are more nighttime shots, where you can really apreciate the interior illumination.
Chihuly’s Rose Crystal Tower is located on the east side of Union Square Park, on the traffic triangle at 15th Street and Park Avenue South. The work will be on display through October 2018, so you have lots of time to see it.
Here’s the Tower on a beautiful spring day (April 29th, 2018) with the cherry blossoms in the background!
Randy Polumbo’s delightful Love Stream Trailer installation at Steven Kasher Gallery was one of our favorite exhibits of 2112, so what a special surprise it was to stumble upon Randy’s latest work in the midst of our very ambitious September 11th Art Crawl!
Hedge Two-Way Mirror Walkabout is a site-specific installation by Dan Graham which was installed in April of this year. Comprising curves of steel and two-way mirrored glass set between ivy hedgerows, Graham’s structure is part garden maze, part modernist skyscraper facade. Viewers who enter the work are transformed into performers; in glimpsing their own reflections, they are also made acutely aware of the act of looking.
For the past fifty years Graham has engaged his interest in architecture and the way it structures public space through a multidisciplinary practice encompassing writing, photography, video, performance, and—beginning in the 1970s—sculptural environments of mirrored glass and metal. He calls these hybrid structures “pavilions” after the ornamental buildings that decorate seventeenth- and eighteenth-century formal gardens—architectural fantasies inspired by the ruins of classical antiquity. Continue reading Dan Graham Hedge Two-Way Mirror Walkabout (with Günther Vogt) On The Roof of The Met
New Yorkers: Don’t let all of this snow trap you inside the house for too long, because you have just over week to see the latest exhibit by minimalist sculptor Keith Sonnier, up now at PACE Gallery on West 25th Street. Elysian Plain + Early Works presents 12 works in neon, featuring the first series that Sonnier created in his new studio in Bridgehampton over the past three years and others that go back to the late 60s and early 70s (in fact, a few of the neon and glass pieces in this show looked familiar from Sonnier’s exhibit, 68 – 70 at Mary Boone Gallery from early last year).
Continue reading Keith Sonnier: Elysian Plain and Early Works at PACE Gallery