Shocking Pink (1949) By Carmen Herrera is your Pink Thing of the Day, not because it is an all-pink thing, but because of its lively title!
Herrera is a 101-year-old Cuban American artist who has a retrospective of her work, Lines of Sight, up at the Whitney Museum in NYC through January 9th, 2017, if you want to see more of her amazing paintings and sculptures.
Most of the better-known artists of the Geometric Abstraction school of art — such as Josef Albers, Ellsworth Kelly, Kenneth Noland, and Frank Stella — are men; but that doesn’t mean there were no equally talented women artists working alongside these giants, just because we don’t know about them.
One such artist is the Cuban-American painter Carmen Herrera, who, at 101 years of age, is likely the oldest working professional artist in America. Right now, you can see a collection of Herrera’s work spanning three decades at the Whitney Museum, and it is pretty sweet. Carmen Herrara: Lines of Sight is the first museum exhibition of this groundbreaking artist in New York City in nearly two decades. Focusing on the years 1948 to 1978, the period during which Herrera developed her signature style, the show features more than fifty works, including paintings, three-dimensional works, and works on paper.
Lines of Sight begins with the formative period following World War II, when Herrera lived in Paris and experimented with different modes of abstraction before establishing the visual language that she would explore with great nuance for the succeeding five decades. Many of these works have never been displayed before in a museum.
Blanco Y Verde (White and Green) Installation View
The second section of the show is an unprecedented gathering of works from what Herrera considers her most important series, Blanco y Verde (1959–1971). Nine paintings from this series illustrate the highly innovative way in which Herrera conceptualized her paintings as objects, using the physical structure of the canvas as a compositional tool and integrating the surrounding environment.
With work dating from approximately 1962 to 1978, the final section illuminates Herrera’s continued experimentation with figure/ground relationships and highlights the architectural underpinnings of many of her compositions. This section includes four wooden sculptures — Herrera’s “estructuras”— as well as her brilliant Days of the Week, a series of seven vivid paintings.
For those who can’t make it to New York to see Lines of Sight in person, you can check out a new documentary, The 100 Years Show — which celebrates Herrera’s career chronicles her preparation for the Whitney exhibit — which is currently streaming on Netflix.
Carmen Herrera: Lines of Sight will be on Exhibit Through January 9th, 2017, at The Whitney Museum, Located at 99 Gansevoort Street, in Manhattan.