For designer Jun Takahashi’s Undercover2015 spring/summer ready-to-wear collection, he presented a series of dresses in textiles printed with phantasmagoric iconography from Hieronymus Bosch’s triptych The Garden of Earthly Delights, collaged in a manner that heightens the painting’s proto-Surrealism.
Arguably Bosch’s most complex and enigmatic creation, the triptych’s overall theme is the fate of humanity — more specifically, the concept of sin, which starts in the Garden of Eden on the left panel and ends in Hell, on the right.
The collection also features matching footwear in the Bosch textile, and jewelry/accessories inspired by flowers in the background of the famous painting.
Wedge Shoes, Detail
Photographed at the Cloisters as Part of the Exhibit, Heavenly Bodies: Fashion and the Catholic Imagination, On View Through October 8th, 2018 at the Metropolitan Museum of Art (at both the Fifth Avenue and Cloisters Locations) in NYC.
Have you already been to the Metropolitan Museum of Art to see this year’s fashion extravaganza, Heavenly Bodies: Fashion and the Catholic Imagination? It’s pretty amazing, right? But did you know that the exhibit also extends to The Cloisters museum in upper Manhattan? If you haven’t made it up there yet, then you are seriously missing out on seeing many of the best pieces in the exhibit! But don’t worry, you’ve still got time to see everything, including this ethereal design by one of our favorites, Jean Paul Gaultier!
The Communion Ensemble, from Gaultier’s Spring /Summer 2007 Haute Couture Collection, is made of pink silk mousseline and displays a chalice formed out of gathered chiffon and overlaid with a brown cotton lace applique, which echoes the delicate filigree of an adjacent chalice displayed on the same gallery. While the foot of the chalice rests on the stomach of the wearer, the bowl quit literally “cups” her breasts — a typical JPG provocation.
Given the chalice’s role in celebrating the Eucharist and containing the consecrated wine believed to be transformed into the blood of Christ during Mass, this garment’s placement in The Cloisters all the more incendiary.
Photographed at the Met Cloisters. Heavenly Bodies: Fashion and the Catholic Imagination, is on View Through October 8th, 2018 at both the Metropolitan Museum of Art (the Fifth Avenue and Cloisters Locations) in NYC.
This ensemble by Thierry Mugler, entitled Madonna, served as the finale to his tenth-anniversary collection, which was staged at Le Zenith, and indoor in Paris. The model Pat Cleveland wore it as she was lowered from the ceiling of the auditorium in a cloud of dry ice, as if descending from heaven.
Its placement this area — a museum passage archway — emphasizes links to ascension, and particularly the dogma of the Assumption of Mary, which asserts that her body and soul were assumed into heaven’s glory as her life’s end.
The color of the dress refers to another dogma: the Immaculate Conception, or the belief that the Virgin Mary was born free from the stain of original sin. In artistic representations, (especially after 1854, when Pope Pius IX proclaimed the dogma), she often wears a white tunic with a blue mantle.
Photographed as Part of the Exhibit, Heavenly Bodies: Fashion and the Catholic Imagination, On View Through October 8th, 2018 at the Metropolitan Museum of Art (at both the Fifth Avenue and Cloisters Locations) in NYC.