The Spring 2018 exhibition from The Met’s Costume Institute, entitled Heavenly Bodies: Fashion and the Catholic Imagination, ended its five-month run on October 8th, and broke all kinds attendance records, surpassing even that of 2011’s Alexander McQueen exhibition. Over these past few months, I’ve enjoyed bringing you design posts featuring some of my favorite highlights from the exhibit, seen at both its Met Fifth Avenue and Met Cloisters locations. I still have many photos that have not been publicshed, so I may be bringing you #MetHeavenlyBodies designs well into 2019! You’re welcome! Continue reading Eye On Design: Wedding Ensemble By Thom Browne
Tag Archives: Heavenly Bodies
Eye On Design: Crown of Thorns Headpiece By Alexander McQueen
Alexander McQueen collaborated with the jeweler Shaun Leane to create this silver Crown of Thorns Headpiece (1996 – 97) formed from three intertwined briars. The piece was featured in McQueen’s Autumn/Winter 1996-97 collection entitled Dante, after the medieval Italian poet whose Divine Comedy portrayed an allegorical vision of the afterlife.
Photographed at the Cloisters as Part of the Exhibit, Heavenly Bodies: Fashion and the Catholic Imagination, On View Through October 8th, 2018 at the Metropolitan Museum of Art (at both the Fifth Avenue and Cloisters Locations) in NYC.
Note: As of 11/5/18 This Piece is Now On Exhibit at The Met Fifth Avenue as Part of the Exhibit Jewelry: The Body Transformed
Eye On Design: Undercover Spring/Summer Ensembles Featuring Hieronymus Bosch Textiles
For designer Jun Takahashi’s Undercover 2015 spring/summer ready-to-wear collection, he presented a series of dresses in textiles printed with phantasmagoric iconography from Hieronymus Bosch’s triptych The Garden of Earthly Delights, collaged in a manner that heightens the painting’s proto-Surrealism.
Arguably Bosch’s most complex and enigmatic creation, the triptych’s overall theme is the fate of humanity — more specifically, the concept of sin, which starts in the Garden of Eden on the left panel and ends in Hell, on the right.
The collection also features matching footwear in the Bosch textile, and jewelry/accessories inspired by flowers in the background of the famous painting.
Wedge Shoes, Detail
Photographed at the Cloisters as Part of the Exhibit, Heavenly Bodies: Fashion and the Catholic Imagination, On View Through October 8th, 2018 at the Metropolitan Museum of Art (at both the Fifth Avenue and Cloisters Locations) in NYC.
Armors Outdoor Art Installation On The Cloisters Lawn!
A couple of weeks ago, Geoffrey and I made the upper Mnahattan pilgrimage to The Cloisters to see the second half of The Met’s Heavenly Bodies costume exhibit, and we were not disappointed. A bonus of the trip is that, as we rode the bus from the subway up to the top of the hill – because who wants to walk in this heat? – I noticed what looked like life-size Knights in Armor scattered about the lawn, and decided that we must check that shit out on our way back to the train. And check it out we did.
It turns out that the Armored Knights, and their alien-looking, silvery Nude companions, part of an installation, Armors, which was created by Icelandic sculptor Steinunn Thorarinsdottir. Back home, the artist is known for the androgynous figures she’s placed at iconic landmarks across the globe, including in Reykjavík outside Hallgrímskirkja church and, back in 2011 at NYC’s Hammarskjöld Plaza near Second Avenue.
Armors is made up of three pairs of figures, each featuring a Knight — whose armor replicates a piece of 16th century armor found in gallery 317 at The Met – who is facing or interacting with one of Thorarinsdottir’s nude figures. The Knights were 3D scanned and then manufactured out of aluminum. Thorarinsdottir modeled each nude figure as a direct response to each distinct suit of armor, and all six were then brought to the Cloisters Lawn.
Knight Photographed with Random Cosplaying Child
In a statement about the work, Thorarinsdottir offers that, “Ancient armors are in themselves sculptural forms. They were developed for war but they give a sharp insight into the psyche of man. I wanted to merge medieval armors and ageless, androgynous figures in a way that would speak to the human condition today and in the past.”
Armors was created in collaboration with NYC Parks’ Art in the Parks program, and can be found in Fort Tryon Park, on the great lawn just downhill from the Cloisters. Get your medieval selfies through September 13th, 2018.
Eye On Design: Jean Paul Gaultier, Communion Ensemble
Have you already been to the Metropolitan Museum of Art to see this year’s fashion extravaganza, Heavenly Bodies: Fashion and the Catholic Imagination? It’s pretty amazing, right? But did you know that the exhibit also extends to The Cloisters museum in upper Manhattan? If you haven’t made it up there yet, then you are seriously missing out on seeing many of the best pieces in the exhibit! But don’t worry, you’ve still got time to see everything, including this ethereal design by one of our favorites, Jean Paul Gaultier!
The Communion Ensemble, from Gaultier’s Spring /Summer 2007 Haute Couture Collection, is made of pink silk mousseline and displays a chalice formed out of gathered chiffon and overlaid with a brown cotton lace applique, which echoes the delicate filigree of an adjacent chalice displayed on the same gallery. While the foot of the chalice rests on the stomach of the wearer, the bowl quit literally “cups” her breasts — a typical JPG provocation.
Given the chalice’s role in celebrating the Eucharist and containing the consecrated wine believed to be transformed into the blood of Christ during Mass, this garment’s placement in The Cloisters all the more incendiary.
Photographed at the Met Cloisters. Heavenly Bodies: Fashion and the Catholic Imagination, is on View Through October 8th, 2018 at both the Metropolitan Museum of Art (the Fifth Avenue and Cloisters Locations) in NYC.