Photo By Gail
In-Approprite #1 (2013), the pointed title of this Pop-style painting by Native American artist Frank Buffalo Hyde, calls out the type of cultural appropriation sometimes perpetrated by celebrities in the name of fashion or riding a trend. Buffalo Hyde based his painting on No Doubt’s 2012 music video for “Looking Hot.”
Continue reading Modern Art Monday Presents: Frank Buffalo Hyde, In-Appropriate #1
Photo By Gail Worley
Giorgio de Chirico’s description of New York as a “feverish and dreamy city” finds form in this painting from 1972, Metaphysical Interior in Manhattan. Everyday objects pile into a vaguely human shape within a distorted room that opens onto city skies. The artist founded Metaphysical Painting, a movement that trafficked in the unexpected and irrational.
Photographed in the New York Historical Socially in Manhattan.
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A proposed remedy for problems faced by crowded New York City classrooms, the Workbox (2000) is a collapsible elementary school desk featuring a side blackboard for sanctioned graffiti and a private locker to stow clothes, preventing the spread of lice.
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Tiffany artisans made the irregularly surfaced Turtlebacks, a Tiffany Studio invention, by pressing glass into molds.
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Vision or vandalism? New Yorkers had different reactions to the “tags” scrawled on subway trains in the 1970s. Many saw them as a sign of urban blight. Artist and photographer Jack Stewart saw them as a new American Art Form.