New York-based Chilean designer Sebastian Errazuriz is known for thinking way outside the box. Always on the look-out for interesting materials, he aims to strike a balance of artistic and practical qualities of design, and his sense of humor often ends up in the mix. In this case, Errazuriz obtained the bodies of taxidermy chickens (which died of natural causes) to create these fun and unique Chicken Lamps. Who says upcycling has to be dull?
In one model, the light bulb is seen emerging from the bird’s hindquarters, just as an egg would.
In an alternate design, the chicken’s head has been replaced by the light bulb. These lamps stand on the chicken’s two feet, mounted on a plexiglass disc. Available from R and Company.
Photographed at The Salon Art and Design at the Park Avenue Armory in NYC.
The Bauhaus, an art and design school founded in Germany in 1919, trained it students to work with industrial producers to manufacture affordable household objects that exemplified efficient design. Bauhaus designers found inspiration in pure geometric forms, and American designers quickly adopted this aesthetic, radically paring objects down to basic shapes that were easy to fabricate mechanically.
The stacked cylinders of this Table Lamp (1935) evoke the moving cogs of machinery and exemplify the simplified beauty of industrial, everyday modernism.
Photographed the Metropolitan Museum of Art in NYC.
We saw these gorgeous light fixtures at ICFF and just fell in love with their Rococo look! Not only are they beautiful to look at, but the story behind them is also fantastic! Dutch designer Piet Hein Eek’s work embodies the concepts of transformation and reinvention. Spanning furniture design, architecture and fine art, Eek elevates discarded, quotidian and unorthodox materials into pieces that make a strong case for the Design-as-Art conversation. This is likely why Eek was presented by Paris-based glass lighting manufacturer Veronese with a dream job: to give a second life to their found glass pieces.
The project began when Veronese’s creative director Ruben Jochimek came across a forgotten stockpile of spare glass pieces — all hand blown by skilled Italian artisans of Murano — in the basement of their Parisian showroom. Comprised of over one-thousand pieces, the collection had been building up since 1931. These ornate glass pieces — stored on dusty shelves for nearly a century — included crafted cups, drops, rings and flowers.
Piet Hein Eek took Veronese’s found glass objects and came up with the Past and Future collection of chandeliers! An eclectic feast of styles and colors, the resulting product blends glass parts from different collections, giving a second life to Veronese’s long-forgotten glass pieces. Upcycling at its finest!
The lamps are made of 40cm glass tubes, equipped with LED lighting into which the spare parts can be slotted. Each model is 40cm high and 25/30cm in diameter, creating a suspension composed of three modules. The tubes can also be assembled to create longer chandeliers. Visit Veronese online at This Link!
Photographed at the ICFF 2017 at the Javits Center, NYC
Hey what’s up? Is your Holiday shopping all done, or do you maybe need to pick up something special for the Buddhist or Yoga fan on your list? If that is the case, look no further than these totally bitchen, illuminated mosaic Buddha Heads. Available in an array of bright and cheery colors at the Union Square Holiday Market, Located in Union Square Park at 14th Street, between Union Square West and Broadway, through December 24th, 2016!
Hey what’s up? Is your Holiday shopping all done, or do you maybe need to pick up something special for the goth kid or skull fan on your list? If that is the case, look no further than these totally bitchen, illuminated mosaic skulls. Available in an array of bright and cheery colors at the Union Square Holiday Market, Located in Union Square Park at 14th Street, between Union Square West and Broadway, through December 24th, 2016!
In the 1960s, youth culture asserted itself, changing society’s rhythms of mass production and consumption, and generating a sense of upheaval and freedom. The Pop Art movement emerged, taking inspiration from mass media and the everyday. Bold colors, new material and radical forms characterized the work of artists and designers whose appropriation of the ordinary made brash or ironic statements.
Italy’s anti-design movement of the mid-1960s and 1970s is fully expressed in the tongue-in-cheek spirit of the Pillola Lamps (1968, designed by C. Emanuele Ponzio, b, 1923). Challenging notices of “good design,” the anti-design movement took its visual cues from pop art’s use of bold colors and banal subject matter. Conceived as a group, the lamps look like oversized pills poured from a giant medicine bottle.
Illuminated Pillola Lamps Photographed at MOMA. Non-Illuminated Lamps Photographed at the Cooper Hewitt Design Museum in Manhattan.
When you visit the Queens Museum to see the Ramones exhibit, make sure you also stop in to see the Neustadt Collection of Tiffany Glass, which is an on-going, and incredibly visually stunning, not to mention (but you can see I am about to) very educational exhibit of the art glass of Louis C. Tiffany! Did you know that his first name is pronounced Louie, and not Louis? I had no idea, but now I know!
Founded by early Tiffany collectors Egon and Hildegard Neustadt, The Neustadt Collection of Tiffany Glass is a private foundation based in Queens. Since 1995 the foundation has partnered with the Queens Museum to exhibit and present its collection of Tiffany lamps, windows, metalwork, and ephemera, as well as an immense one-of-a-kind archive of Tiffany flat and pressed-glass “jewels” leftover from Tiffany’s nearby Corona, Queens studios, which closed in the late 1930s.
Before you even start looking at the lamps, check out the way this gallery is designed, where the shadows on the wall that are not those actually thrown by light bending around objects, but rather are painted right on the walls. It is so well done, it may even take you some time to notice.
Pond Lily Library Lamp
The Neustadt Collection Gallery has now relocated to the new wing of the Queens Museum, and the collection currently on display is the inaugural exhibition, Shade Garden: Floral Lamps from the Tiffany Studios, as well as a permanent display of other Tiffany designs. This is the best collection of Tiffany glass that I have seen anywhere, outside of the Morse Museum in Winter Park, Florida (which I highly recommend).
Pond Lily Library Lamp Shade Detail
Shade Garden features 20 lamps exploring Tiffany’s masterful translation of nature into glass. Lamps of all shapes and sizes reveal the extraordinary artistry required to accurately portray complicated blossom shapes and the unruly growth patterns of flowers as well as their nuances of color and texture. Lampshades adorned with profusions of wisteria, peonies, pond lilies, and poppies — some of the most beloved and iconic Tiffany motifs — are included in Shade Garden, which will be on view for two years.
Peacock Lamp, and Shade Detail Below
Dragonfly Shade Detail
Grapes Shade Detail
Supplementing Shade Garden is an educational model demonstrating the labor-intensive process of making a leaded-glass lampshade. It includes original Tiffany Studios, as well as a large photomural of the Tiffany Shade Department, and an extensive selection of original Tiffany sheet glass. A film capturing the process of selecting, cutting and soldering the individual pieces of glass in the lampshade also accompanies the model.
Turtleback Reading Lamp
Tiffany Floral Globe Lamp (Also Seen Below)
The Neustadt Tiffany Glass Collection a must-see attraction at the Queens Museum, even if you visit after The Ramones Exhibit closes on July 31, 2016.