Between 1959 and 1960 Gego (Gertrude Goldschmidt) and her partner Gerd Leufert spent a year in the United States. While in Iowa Gego created this three-dimensional work, titled Sphere (1959). The sculpture epitomizes her investigation of “Lineus Paraleles“ (parallel lines). Continue reading Modern Art Monday Presents: Gego, Sphere
When it comes to unique activities (especially on a rainy day like today), I don’t think you could plan better than to spend an hour inside Cascade: A Jen Stark Experience; an immersive, interactive, wildly psychedelic digital art experience presented across 6,000 square feet of exhibition space at the William Vale Hotel in Brooklyn. If you’re curious whether Cascade — which is currently competing with two immersive digital Van Gogh exhibits, and Banksy’s Genius or Vandal — is worth the trek from Manhattan to Brooklyn, let me assure you that it is all that and a bag of shrooms.
Come take a peek inside.
An early practitioner of Op Art, a movement that emerged in the mid-1960s and prioritized optical illusionism, Edna Andrade (1917 – 2008) used geometry and color to create abstract interpretations of organic ratios, biological systems, and natural rhythms. Summer Game (1972) features a vibrant palette and an irregular grid that appears to expand and contract, project, and recede, creating a sense of playful, kinetic energy.
Photographed in the Metropolitan Museum of Art in NYC.
In 1960, Toshinobu Onosato reevaluated his approach to the circle, a form that for much of the previous decade he had presented as monochromatic surfaces whose simplicity was emphasized by surrounding webs of intersecting lines. Continue reading Modern Art Monday Presents: Toshinobu Onosato, Painting A
We were very sad to learn of the passing of groundbreaking painter and Op Art pioneer, Julian Stanczak on March 25th of this year. He had good, long life! As a last hurrah, Mitchell-Innes & Nash is currently hosting The Life of the Surface, Paintings, 1970 – 1975, an exhibition of Stanczak’s paintings exclusively from the years 1970 to 1975. This long-planned exhibition is Mitchell-Innes & Nash’s second solo exhibition with the artist, and the first since his recent passing.