Hippopotamus Poison (1965) belongs to a series of Technological Reliquaries, which Paul Thek (1933 – 1988), began in New York after a summer spent in Sicily. The work engages the Roman Catholic tradition of venerating saintly bodies that Thek had observed first-hand in the catacombs near Palermo, and simultaneously offers a critique of the art of the time, Pop and Minimalism in particular.
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Paul Thek: Diver, A Retrospective at NYC’s Whitney Museum

Paul Thek: Diver, a Retrospective is the first retrospective in the United States devoted to the legendary American artist Paul Thek (1933-1988). A sculptor, painter and one of the first artists to create environments or installations, Thek came to recognition showing his sculpture in New York galleries in the 1960s. The first works exhibited, which he began making in 1964 and called “meat pieces” as they were meant to resemble flesh, were encased in Plexiglas boxes that recall Minimal sculptures.
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