Robert Watts’ Case of Eggs (with Rainbow Wax Eggs) (1964) is a sly and playful gem from the Fluxus movement — an artwork that feels as visually satisfying as it is conceptually rich. Set in a clear acrylic case, a tidy arrangement of wax eggs gleams in a spectrum of soft, sherbet-colored hues. Like much of the artist’s output, this piece teases the line between the banal and the extraordinary. Continue reading Modern Art Monday Presents: Robert Watts, Case of Eggs (With Rainbow Wax Eggs)→
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As with so many of Robert Gober’s classic works of the 1990s, the artist approached Short Haired Cheese (1992 – 93) by researching the archetypal forms of his chosen subject, landing here on an unmistakable, yellow-tinged wedge of Swiss cheese, complete with air bubble holes. Continue reading Modern Art Monday Presents: Short Haired Cheese By Robert Gober→
Hippopotamus Poison (1965) belongs to a series of Technological Reliquaries, which Paul Thek (1933 – 1988), began in New York after a summer spent in Sicily. The work engages the Roman Catholic tradition of venerating saintly bodies that Thek had observed first-hand in the catacombs near Palermo, and simultaneously offers a critique of the art of the time, Pop and Minimalism in particular. Continue reading Modern Art Monday Presents: Paul Thek, Hippopotamus Poison→
