Photo By Gail
The Palace of Curtains, III (1928) is one in a series of paintings by René Magritte that explores the resonances between words and images. Two polygons with nearly identical profiles lean against a wood-paneled wall. Each shape frames a depiction of sky, one with a painted representation, the other with language (the French word ciel, meaning sky).
Magritte was fond of unexpected pairings between interior and exterior scenes, as with the patch of blue sky against the finite backdrop of the wall. Placing words in absurd or unexpected contexts, Magritte challenged the conventional use of language. Though the use of text in his word-picture pairings may seem incongruous, the artist viewed all language as arbitrary: “An image is not so wedded to its name,” he said , “that one cannot find another which suits it better.”
Photographed in the Museum of Modern Art in NYC.
