Josef Hoffman designed this stylized Table Lamp in 1904, when artificial light sources were shifting from gas to electric, which challenged designers to innovate in accordance with the new technology.
Rather than putting shades around the bulbs, Hoffmann left the light source exposed. The suspended glass spheres echo the bulbs shape and draw further attention to the new technology as they catch and reflect the electric light. The lamp was manufactured by Konrad Schindel of Denmark.
Photographed in the Metropolitan Museum of Art in Manhattan.
Corner Pocket By Masakatsu Sashie (All Photos By Gail)
Jonathan LeVine Gallery is currently hosting External Effect, a series of new works by Japanese artist Masakatsu Sashie. This is Sashie’s second solo exhibition at the gallery, and I somehow neglected to write about his first show, so I didn’t want to fail twice at sharing a series of artworks that is really special. Continue reading Jonathan LeVine Presents: Masakatsu Sashie, External Effect→
The renowned designer Alfredo Häberli has joined forces with BMW to create a compelling installation for Designmuseum that tackles the values of future mobility at a conceptual level. Following the BMW Design theme Precision & Poetry, the Zurich-based designer embarked on a thought journey that begins with childhood memories, sketches and formal studies. It ends with a large-scale model, and leads to a spatial installation that allows personal thoughts on future mobility to be experienced in the present.
Spheres Wooden Model in Courtyard Viewed from Museum Lobby
The focus of the exhibition is a wooden ribbed model ten meters long by four meters high (located in the museum’s front courtyard) that translates the theme of future mobility into an avant-garde form of impressive precision and dimension. With its diverse formats and dimension, the installation invites the observer on an individual journey into the mobile future. Häberli’s futuristic perspective on mobility was created for Milan’s major design event Salone del Mobile in 2015.
