Photos By Gail
Despite having grown up in the ’60s and ’70s, I never met anyone whose parents were hip and cool enough to have decorated their Family or TV Room with as many iconic pieces of furniture as you see in the above photo (and forget about the hallucinatory-print wall paper, which is just insane). It might surprised you to know that these retro-futurist styles are still in-demand today. Let’s check them out.
Continue reading Eye On Design: 1960s TV Room
Story and All Photos By Gail Worley
When you think of the concept of Retrofuturism –an exploration of past visions of the future — this five-sided, console Television set might fit in perfectly.
Photos By Gail
Magnet TV (1965) is an early example of Nam June Paik’s “Prepared Televisions,” works in which he altered the television’s image or its physical casing. This work consists of a seventeen-inch, black and white set with an industrial-size magnet resting on top of it. The magnetic field interferes with the television’s reception of electronic signals, distorting the picture into an abstract form that changes when the magnet is moved. Continue reading Modern Art Monday Presents: Nam June Paik, Magnet TV
All Photos By Gail
Whether you’re seeing his colorful works out on the street, or in the gallery, Kenny Scharf has one of the most instantly recognizable styles in the contemporary art world. Deitch Projects downtown is currently hosting Inner and Outer Space, an ambitious exhibit of Scharf’s newest works which features several distinct collections that provide evidence of Scharf’s enthusiasm for expanding his oeuvre, while staying true to the playful characteristics of his work that his fans love the most. Continue reading Kenny Scharf, Inner and Outer Space at Deitch Projects
The unusual detail in this set, the GE Model 21C134 (1960) shows how television manufacturers tried to differentiate their products while selling essentially the same thing. The controls have been moved to the top, while the oversize wheels and large handle make the set easy to move. The color scheme suggests that the set was intended for an informal basement or “rumpus room” setting.
Photographed in the Museum of the Moving Image in Astoria Queens, NY.