Tag Archive | Orbs

David Fried’s Stemmer Gets a Permanent Home on East 34th Street

David Fried Stemmer
All Photos By Gail

There is so much beauty in NYC, and you don’t have to look very far to find it. I was getting my steps in one Sunday afternoon when I noticed this beautiful, mirror-polished stainless steel abstract sculpture for first time. I took a handful of photos and then did some Googling to get the lowdown on this artwork, and this is what I found out. Artist David Fried’s Stemmer (part of an eponymous sculpture series ) is a public artwork that was permanently installed on the northeast corner of 34th Street and First Avenue in April of 2019, while the site (which is the courtyard of a high-rise apartment building) was still under construction, and before the plaza officially opened to the public in May.

David Fried Stemmer

David Fried Stemmer
David Fried’s Stemmer, Installation View

Please enjoy this in-depth analysis on the Stemmer sculpture series, found on Fried’s Website:

The networked spheres and interdependent multifaceted structures found in each Stemmer sculpture suggest a multitude of processes and phenomena in the natural and built environment. While their forms clearly follow basic laws of economy and self-organization found in adaptive bubble structures, there is also an intended association to organic cell clusters.

David Fried Stemmer

With an emphasis on the most fundamental form of autonomy — the Membrane: both a barrier and communicator between the self and the environment — Fried suggests an abstract embodiment of the origin of life-forms – natural or engineered.

David Fried Stemmer

Their forms appear in an undifferentiated yet fertile state — like a Venus von Willendorf at conception —full of potential, ready for chance, influence and self-determination. Anti-fragile balancing acts operating far from equilibrium – individualities in an interdependent process of becoming.

David Fried Stemmer

In Fried’s mirror polished stainless steel versions, we see the environment and ourselves reflected in the faceted surfaces, absorbed 360° by the sculpture. Its appearance is integrated with — and largely defined by — its environment, hinting that one‘s sense of identity is a complex development of ‘nature and nurture.’

The sharp networked angles formed by intersecting spheres of varying size result in dynamic shapes that, in spite of their clean mathematical origin, appear biological, and seem to possess an abstract yet curiously personal character.

David Fried Stemmer

Fried coined the term ‘Stemmer’ as a personifying name for stem-cell creations. Currently, the stem-cell is the most promising yet controversial, programmable, self-reproducing building-block on a cellular level, which in the hands of the genetic engineer, has become the absolute malleable ‘bio-porcelain’ of choice at the turn of this century.

David Fried Stemmer

As in many of Fried’s other works, the artist presents us with minimalist symbolic imagery that suggests a fusion of mythological and scientific beliefs, while calling attention to the manipulative processes that are now deeply rooted in our cultures. By resurrecting and modernizing humankind’s oldest fertility icons—in an era whereby applied technologies are trumping the oldest form of reproduction and evolution—with fertility icons of a synthetic nature, Fried confronts us with our desire and ability to alter nature’s course, and perhaps the future of our own evolutionary process.

David Fried Stemmer

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Jonathan LeVine Presents: Masakatsu Sashie, External Effect

Corner Pocket
Corner Pocket By Masakatsu Sashie (All Photos By Gail)

Jonathan LeVine Gallery is currently hosting External Effect, a series of new works by Japanese artist Masakatsu Sashie. This is Sashie’s second solo exhibition at the gallery, and I somehow neglected to write about his first show, so I didn’t want to fail twice at sharing a series of artworks that is really special.

Installation View

In a body if work that will surely appeal to fans of dystopian sci-fi. Sashie’s hyperreal 0il paintings and sketches depict a post-apocalyptic world, or series of worlds. The bleak visions of a future that is also trapped in the past analyze the influence of technology on the circle of life. The level of detail in these paintings is extraordinary.

Invisible Rule
Invisible Rule

Modeled after Kanazawa, the town he was born and continues to reside in, Sashie’s landscapes resemble landfills – capsized by burning vehicles, antiquated technology and an overwhelming amount of man-made debris. Massive orb-shaped amalgams of industrially manufactured products are the focal point of every piece, hovering over desolate cityscapes, drawing attention to the paradox of the vastness of the universe yet the finite amount of space mankind has to exist.

Smoggy Memory
Smoggy Memory

Kanazawa is a small city in Japan that the artist describes as a miniature garden in which the obsolete and contemporary are fused due to its distance from an urban center.

Zero Sum (1 of 2)
Zero Sum (1 of 2)

Zero Sum (Detail)
Zero Sum (Detail)

Growing up within this isolation nurtured Sashie’s fascination with the notion of “the balanced aquarium,” a concept described by Nobel Prize winner Konrad Lorenz in his book King Solomon’s Ring: New Light on Animal Ways (1949).

Corner Pocket Detail
Corner Pocket (Detail)

Lorenz describes an aquarium as a self-sustaining environment depending solely on the natural interactions between plants and other living organisms for survival. Once outside involvement occurs, balance is lost and disintegration immediately begins.

Oasis
Oasis

The artist considers Lorenz’s biological phenomenon as the epitome of the world we live in; struggling to maintain stability among the complexities and demands of modern living. Revolving around themes of consumerism, globalism and environmentalism, Masakatsu Sashie’s self-contained environments are an archive of the past and a prediction of our future.

Installation View

Masakatsu Sashie’s External Effect will be on Exhibit Through November 12th, 2016 at Jonathan LeVine Gallery, Located at 529 East 20th Street, 9th Floor, in the Chelsea Gallery District.

Melt Into The Air Cool, Melt Into The Air Hot
Left: Melt Into The Air Cool, Tight: Melt Into The Air Hot