I was walking downtown on the High Line when I just happened to notice this cool new mural, entitled Tolerance, from renowned Brazilian street artist Eduardo Kobra, done in his signature, harlequin-pattern, Technicolor style. Painted on the side of the Chelsea Square Market at the corner of 18th Street and Tenth Avenue, the three-story image features the profiles of Mother Teresa and Mahatma Gandhi, facing each other in a tribute to their roles as two of the world’s greatest humanitarians. Gandhi, of course, led India in its quest for independence from British rule by pursuing a campaign of non-violence that was later emulated by the Reverend Dr. Martin Luther King Jr. during the Civil Rights movement. Mother Teresa was awareded the Noble Peace Prize, and was granted sainthood by the Catholic Church, for her work ministering to the poor of Calcutta. This piece went up in late August, 2018.
Kathryn Andrews appropriates images from popular culture, often American movies, television, and stock photography archives. She then alters and re-contextualizes these images into three-dimensional configurations to create new narratives where viewers are invited to rethink the photographs in relation to their own bodies.
For her High Line Commission, Sunbathers I (not shown, located at 18th Street) and Sunbathers II (shown here), Andrews responds to two contrasting aspects of the elevated park: its relationship to nearby billboards and to the natural landscape. Andrews describes the High Line’s environment as a “hyper-surreal image world,” composed of large-scale advertisements and commercial signs that surround park visitors as they stroll high above the bustling cityscape.
Sunbathers II is a large, horizontal aluminum box containing a giant fan and featuring a photograph of an ice cream cone. The fan’s movement is juxtaposed with the adjacent static image, mirroring the park itself.
Kathryn Andrews’ Sunbathers I and II Will Be On Display Through March, 2017.
The IAC Building, which is the headquarters for InterAcive Corp, sits on the Hudson River-facing lot on Eleventh Avenue between 18th and 19th Streets. I sometimes pass it when I am gallery hopping and when it is lit up at night it is quite breathtaking to behold.
Besides the fact that the building itself is one of the most gorgeous examples of modern architecture in Manhattan, I am also quite charmed by the block-long series of video screens in the building’s lobby, which are visible from Eleventh Avenue. The visuals change all the time, but on a night last fall I snapped few photos of this pink and green set of abstract images.
When you get up close to the glass, you can see it is imbedded with little black dots, which I imagine help to shade the interior and add a dimension of privacy during the day.
I love this building.
View from 20th Street Looking South, October 2016
Seen from the High Line in March of 2018
Seen from the middle of the Hudson River in July of 2018!