Tag Archives: Purple

Yes, It Exists: Dumpster Fire Soft Vinyl Toy

100-Soft---Dumpster-Fire-Cough-Syrup_1024x

OMG. The folks at 100% Soft are at it again. The vinyl collectible that perfectly and succinctly summarizes so many of our feelings over the past couple of years is back with an all new, limited-edition color: the Cough Syrup Purple! Arriving just in time to cheer you up for the flu season, be sure to add this fun toy to your ever-growing collection of rainbow colored Dumpster Fire collectibles. Available now at Spoke-Art.com for just  $25 each!

Eye On Design: Dino The Dinosaur Kiddie Ride

dino dinosaur kiddie ride photo by gail worley
Photo By Gail

Wouldn’t it be fun to be the person who designs the coin-operated Kiddie Rides that you sometimes still see out front of suburban grocery stores and strip malls? They aren’t as easy to find now as they were when I was a kid back in the stone age, but I still enjoy documenting them whenever see one. Because, nostalgia.

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Eye On Design: Wendell Castle, Nirvana Armchair

nirvana armchair photo by gail worley
All Photos By Gail

Wendell Castle  (19322018) was one of America’s most important contemporary furniture makers,  with several distinct stylistic phases in his career. At first he employed both exotic and native American woods to produce furniture characterized by biomorphic forms and attenuated surrealism.

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Eye On Design: Christian Francis Roth, Crayon Dress

crayon dress photo by gail worley
All Photos By Gail

Humor: That quality in an expression of ideas which appeals to a sense of the ludicrous or absurdly incongruous; a comic or amusing quality.

Christian Francis Roth brings both wit and flawless workmanship to his designs; as  Roth himself noted, without quality the humor of his fashions would fall flat.

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Modern Art Monday Presents: Robert Reed, Plum Nellie, Sea Stone

plum nellie sea stone photo by gail worley
Photo By Gail

Robert Reed (19382014) considered Plum Nellie, Sea Stone (1972) as a landscape.  In it, a clearly defined rectangle of exposed canvas draws the viewer’s eye to the middle of the painting. Bold purple strokes of paint jostle at the rectangle’s sides. The work is part of Reed’s Plum Nellie series, which was exhibited in his solo show at the Whitney in 1973. In addition to referencing its color palette, the title recalls the southern expression “plum nelly.” Reed remembered the phrase to near “damn near,” suggesting that his relationship to abstraction is as much about the process of getting there as it is about arriving at a destination.

Photographed at The Whitney Museum in NYC.