The Amoeba Rocking Chair (aka Amoeba Rocker) is named for its continuous, concave arched organic form that evokes the amorphous, single-celled organism.
Continue reading Eye On Design: Amoeba Rocking Chair By Isabelle Moore
The Amoeba Rocking Chair (aka Amoeba Rocker) is named for its continuous, concave arched organic form that evokes the amorphous, single-celled organism.
Continue reading Eye On Design: Amoeba Rocking Chair By Isabelle Moore
The Born To Rock F-4B Electric Bass (1995) has a patented design with the following specifications:
Hollow aluminum-tube-frame body
One piece ‘headless’ Plexiglas neck and fingerboard
34 Inch scale
Precision bass-style split coil-pickup with volume and tone controls
The bass relies on a lightweight frame that holds the strings at tension over a tension-free neck, which avoids the warping associated with wooden instruments. Since the open, skeletal design has no conventional headstock, the tuners are mounted below the bridge at the bottom of the body. This bass guitar belongs to Steve Miller.
Photographed as Part of the Exhibit Play It Loud: Instruments of Rock & Roll at the Metropolitan Museum of Art.
The Replacements, from left: Paul Westerberg, Chris Mars, Bob Stinson and Tommy Stinson
Bob Stinson, lead guitarist and founding member of The Replacements, who passed away on February 18th, 1995 after years of hard drug and alcohol abuse, would have celebrated his birthday today, December 17th (born in 1959). I remember reading an article called “Hold My Life,” a brutally honest and deeply sad interview with Bob, in SPIN magazine less than six month before he died. You could see right then that he wasn’t long for this world. Rest in peace, Bob.
Grant with Jimmy Page and Robert Plant
On This Date, November 21st In 1995: Peter Grant, manager of The Yardbirds, Led Zeppelin and Bad Company, died of a heart attack. He was 60 years old. Grant was a total bad ass who has been described as “one of the shrewdest and most ruthless managers in rock history.” He is widely credited with improving pay and conditions for musicians in dealings with concert promoters.