Tag Archives: 1995

Eye On Design: Amoeba Rocking Chair By Isabelle Moore

amoeba rocking chair photo by gail worley
All Photos By Gail

The Amoeba Rocking Chair (aka Amoeba Rocker) is named for its continuous, concave arched organic form that evokes the amorphous, single-celled organism.

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Eye On Design: F-4B Electric Bass By Born To Rock

F4B Aluminum Bass Guitar
Photos By Gail

The Born To Rock F-4B Electric Bass (1995) has a patented design with the following specifications:

Hollow aluminum-tube-frame body

One piece ‘headless’ Plexiglas neck and fingerboard

34 Inch scale

Precision bass-style split coil-pickup with volume and tone controls

The bass relies on a lightweight frame that holds the strings at tension over a tension-free neck, which avoids the warping associated with wooden instruments. Since the open, skeletal design has no conventional headstock, the tuners are mounted below the bridge at the bottom of the body. This bass guitar belongs to Steve Miller.

Photographed as Part of the Exhibit Play It Loud: Instruments of Rock & Roll at the Metropolitan Museum of Art.

F4B Aluminum Bass Guitar Installation View
Installation View

Remembering Bob Stinson of The Replacements

Replacements
The Replacements, from left: Paul Westerberg, Chris Mars, Bob Stinson and Tommy Stinson

Bob Stinson, lead guitarist and founding member of The Replacements, who passed away on February 18th, 1995 after years of hard drug and alcohol abuse, would have celebrated his birthday today, December 17th (born in 1959). I remember reading an article called “Hold My Life,” a brutally honest and deeply sad interview with Bob, in SPIN magazine less than six month before he died. You could see right then that he wasn’t long for this world. Rest in peace, Bob.

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Remembering Peter Grant

Peter Grant and Zep
Grant with Jimmy Page and Robert Plant

On This Date, November 21st In 1995: Peter Grant, manager of The Yardbirds, Led Zeppelin and Bad Company, died of a heart attack. He was 60 years old. Grant was a total bad ass who has been described as “one of the shrewdest and most ruthless managers in rock history.” He is widely credited with improving pay and conditions for musicians in dealings with concert promoters.