Tag Archives: amorphous

Eye On Design: Misha Kahn Brûle River Sofa

misha kahn brule river sofa photo by gail worley
All Photos By Gail

I always say that if I had a huge house (and limitless cash), I’d furnish it with pieces that look like they were lifted out of a cartoon acid trip. That said, I think this brightly colored, amorphous sofa designed by Misha Kahn ticks all the boxes. Continue reading Eye On Design: Misha Kahn Brûle River Sofa

Eye On Design: Amoeba Rocking Chair By Isabelle Moore

amoeba rocking chair photo by gail worley
All Photos By Gail

The Amoeba Rocking Chair (aka Amoeba Rocker) is named for its continuous, concave arched organic form that evokes the amorphous, single-celled organism.

Continue reading Eye On Design: Amoeba Rocking Chair By Isabelle Moore

Eye On Design: César Expansion Table

cesar expansion table photo by gail worley
Installation View With Rene Gabriel’s Bridge Armchair (All Photos By Gail)

The celebrated French artist César (born Cesare Baldaccini) was a founding member in 1960 of the Nouveaux Réalistes group. His amorphous bronze and glass Expansion Table (1977) is one of the rare works in which César applied his Expansion technique to a functional object. Whereas he also created a handful of bronze ashtrays, lamps, as well as the console commissioned by Henri Samuel, the Expansion Table is the object in which César philosophy — his belief that life and art are one entity, indivisible —achieves its apex.

cesar expansion table detail photo by gail worley

Some background on César’s Expansions: One of the artist’s great breakthroughs in the late 1960s took the form of sculptural spills called Expansions. Realized with liquid polyurethane foam, a novel material at the time, each spill involved actively pouring specifically tinted foam, allowing it to expand, and then leaving it to set in a process that resulted in soft forms several times larger than their original liquid volume.

cesar expansion table detail photo by gail worley

César was moved by this material’s freedom and energy — rather than conforming to the matrix of a mold, it actually spread and expanded in what would famously become a critically admired analog for the new spirit of liberation that marked the era. As Pierre Restany noted in 1970, “César’s expansions reveal a new phase in his work, the phase of maturity: the mastering of the technique allied to the freedom of form.”

cesar expansion table installation view photo by gail worley

Photographed at at Demisch Danant, Located at 30 West 12th Street in NYC.

Pink Thing of The Day: Pink Pokémon Ditto Plushy

Pokemon Ditto
Photo By Gail

OMG, how cute is this week’s Pink Thing of The Day? I found this adorable plushy at Flame Con 2019 and was informed that this is a Pokémon creature called Ditto. Here’s the lowdown from the Pokémon Wiki (yes, there is one):

In its natural state, Ditto is a light purple or pink amorphous Pokémon with vestigial facial features. The face consists of a simple mouth and beady eyes. It also appears to have two pseudopods protruding from its body that it uses as arms. It is capable of transforming into an exact replica of any physical object, including its form and abilities. However, if Ditto tries to transform into something based on memory, it may get some of the details wrong.

Good to know!

Modern Art Monday Presents: Lynda Benglis, Modern Art 1970 – 1974

Modern Art 1970-74

Modern Art 1970 – 1974 is a cast-in-two-parts Bronze and Aluminum modular sculpture by American Sculptor and Visual Artist, Lynda Benglis. The work (created between 1973 and 1974) includes four individual sculptures that are identical in form while maintaining an organic feel. To me they look like molten lead, tongues or platypus bills.

Photographed in the Museum of Modern Art in NYC.

Modern Art 1970-74