The business world currently calls for genuine creativity and cutting-edge tools that will drive your business to attract more customers and stand out in the competitive marketplace. One great tool is custom enamel pins.
These tiny colorful items are helping brands gain visibility quickly and spark conversations with potential customers, which builds a strong community. Let’s take a look at how this tiny tool promotes brands. Continue reading Custom Enamel Pins: A Fresh Way to Boost Your Brand
Photo By Gail
If you’ve been wandering around New York City lately, you may have spotted a sleek Porsche wrapped in understate Millennial Pink, doubling as a moving billboard for Get Plump, a cheekily-branded Botox salon. The car is hard to miss, emblazoned with slogans like “Need money for Botox” — turning heads and phones as New Yorkers snap photos for Instagram. It’s a perfect marriage of luxe sports car fantasy and playful beauty marketing, making street parking feel just a little more glamorous.
Spotted in the Flatiron District in NYC
Photo By Gail
In this photograph referred to as Glass Tears (1930–33), the face of a model known as Lydia acts as a backdrop for a group of small, gleaming glass balls. Man Ray made multiple variants of the image, in which the balls, like tears, appear to move and multiply across her static face from one version to another. He originally conceived of this shot as an advertisement for smudge-proof mascara.
Photographed as part of the Exhibit, Man Ray: When Objects Dream, at the Metropolitan Museum of Art in New York.
Photo By Gail
While working in commercial design for the H-E-B supermarket chain, artist Chuck Ramirez (1962 – 2010) began making photographs of familiar, every day objects – shrink-wrapped foods, jampacked trash bags, hospital flower arrangements – which he captured in great detail against a white void and at life-size.
Continue reading Modern Art Monday Presents: Chuck Ramirez, Candy Tray Godiva 3
Photo By Gail
Fishing is an important and enduring practice in Hawaiian people‘s food systems, though shifting factors have forced Hawaiians to supplement to traditional fishing methods with larger-scale commercial efforts. In Fishhook from Hawaii – No. 1 (1939 ) Georgia O’Keefe depicts a fish hook (Makau) – which symbolize this prosperity and connection between humans and water – adorned with the vibrant feathers of local birds.
Continue reading Modern Art Monday Presents: Georgia O’Keefe, Fishhook from Hawaii – No. 1