Tag Archive | B Boy

Os Gemeos, Silence of the Music at Lehmann Maupin

Os Gemeos Installation View
Above Image Courtesy of Lehmann Maupin. All Other Photos and Video By Gail

Each year, at least one of the Chelsea galleries hosts an exhibit so impressive and over-the-top in size and scope that we like to refer to it as Art Disneyland for the duration of its run. One year, it was Yayoi Kusama’s I Who Have Arrived in Heaven, with its multiple, mirrored infinity room installations. Another, it was Takashi Murakami’s In the Land of The Dead, Stepping on the Tail of a Rainbow: a sort of Greatest Hits of the Japanese Superflat artist. And last year, we would nominate Mike Kelley’s mind-blowing Superman Origin Story that filled the cavernous spaces of Hauser & Wirth with otherworldly delights. Those were all fantastic exhibits worthy of multiple visits, no doubt about it.

Phonograph

This year’s Art Disneyland is over at is Lehmann Maupin on 22nd Street, and you have just under 2 weeks to check it out before you miss out. Silence of the Music, starring the whimsical, elevated street art of Brazilian artist duo Os Gemeos  was virtually impossible to gain entry to during its opening reception on September 8th, and four weeks later it’s still drawing huge crowds and endless tour groups. It’s easy to see why as soon as you enter the gallery.

Os Gemeos

At their first New York solo show with Lehmann Maupin, twin brothers Gustavo and Otavio Pandolfo have transformed multiple rooms into an immersive installation that combines drawing, painting, collage, mixed media sculpture, and kinetic and audio elements. These newest works represent an evolution of the style Os Gemeos has honed over decades, while also returning to their early experimentation with diverse mediums, including new oil paintings. This exhibition offers a heightened multi-sensory experience that embraces the power of human imagination and the vast possibilities in visually interpreting the subconscious.

Can Y'all Get Funky

Os Gemeos broke onto the art scene in the late 1980s as graffiti writers in their São Paulo neighborhood of Cambuci, and are now internationally recognized for a figurative style that typically features their signature yellow characters, thin dark red outlining, and intricately patterned designs. Initially influenced by the graffiti movement coming out of New York, they were ultimately inspired by the ingenuity and resourcefulness evident in their working class neighborhood. They made their art accessible to the community as a way to contribute a sense of optimism in the midst of the economic disparity, violence, and drug use that proliferated.

Os Gemeos

Os Gemeos

They believed that the popular Brazilian art movements of the time, which favored conceptual, minimalist, and concrete art, were limiting to a wider audience. Instead, they embraced work by self-taught artists like Arthur Bispo do Rosario, who created all of his work from a Rio de Janeiro mental institution during the 1930s. Following a 1993 visit with the prominent San Francisco-based artist Barry McGee, the twins developed a rigorous studio practice while continuing to make murals. This allowed them to extend their unique artistic vision beyond the streets to an international audience that includes galleries, museums, and private collections. Os Gemeos’ practice continues to be marked by a commitment to the accessibility of art and to exposing the realities of the working class while also celebrating its resilience.

2 Gs on the Moon
Photo Op: 2 Gs on the Moon

Silence of the Music extends Os Gemeos’ approach to an exhibition as a total work of art, a concept exemplified in their Institute of Contemporary Art, Boston solo exhibition in 2012. Conceived as a site-specific installation, each room contains a unique grouping of paintings and objects that cover the wall, floor to ceiling.

B Boy Room

The exhibition pays tribute to music in particular. Included in their B-Boy room are boom box paintings — canvases with embedded speakers that play tracks linked to the imagery on the canvas — and interactive sculptures that play LP records.

B Boy Room

O Dia Da Festa de Break (The Break Party's Day), 2016
O Dia Da Festa de Break (The Break Party’s Day), 2016

For Os Gemeos, the era during the 1970s and 1980s was an influential time of discovery and sharing; the improvisational structure, descriptions of everyday life on the streets, and bravado in sharing these stories that this golden age of hip hop fostered is intrinsically linked to their practice.

Os Gemeos

Os Gemeos Video, O Iluminado (The Illuminated), 2015

Here’s a little video I took of the  kinetic sculpture pictured above, which is called O Iluminado (The Illuminated)!

Installation View

Similar to the surrealist artists of the early 20th century, Os Gemeos seek to defy conventions and push boundaries in art and society through the unbridled exploration of the subconscious and imagination. In direct contrast to the surrealist notion of a solitary dream space, however, the twins have described a shared intuition and subconscious experience that is translated visually through their collaborative process. They often allude to this notion of duality with their incorporation of the sun and moon, which is representative of masculine and feminine forces.

O Beijo (The Kiss), 2015-2016
O Beijo (The Kiss), 2015-2016

The room Kiss is painted in bright hues that exude a sunny splendor and is anchored by a mechanical sculpture, representative of the masculine, which plays compositions arranged by Os Gemeos together with their brother.

O Beijo (The Kiss), 2015-2016

A sculpture affixed to the ceiling directly above it, depicting a female, moon-shaped face, seemingly kisses the floor sculpture to trigger the music played. This imagery and their installations are meant to conjure a lucid dream state and empower the audience to consider their own subconscious.

O Beijo (The Kiss), 2015-2016

Os Gemeos’ symbolism extends to their characters as well, whose indiscriminate yellow tone is meant to defy racial associations, an artistic decision meant to emphasize unity and the establishing role that diversity plays in their native Brazil and abroad. The twins often incorporate masks, instruments, and musicians in their work as a way to visualize the folk customs, festivals, and crafts that represent the myriad of cultural influences that make up the social and cultural landscape. Silence of the Music combines folk art, pop culture, and urban detritus in order to offer an expansive impression of the artists’ unique artistic perspective and creative process.

Back Benders

Os Gemeos Silence of the Music will be on Exhibit Through October 22nd, 2016 at Lehmann Maupin Gallery, Located at 536 West 22nd Street in the Chelsea Gallery District.

Os Gemeos Signage

Installation View

Os Gemeos B-Boy Mural on 2nd Avenue

Os Gemeos Mural 2nd Ave
Photos By Gail

The Brazilian mural artists – twin brothers – known as Os Gemeos have painted another one of their epic murals in the East Village on the south-facing facade of 26 Second Avenue at 1st Street, on the vacant lot that formerly housed one of the of rare gas stations that you never see in the city. The mural went up around the third week of August.

The hip-hop influenced old school B-Boy appears to be emerging from inside the building through the concrete wall, while carrying an eighties-style boombox. The new mural will likely remain intact until the new ten-story residential development begins to rise next door. Sigh.

Os Gemeos Mural 2nd Ave

Taku Obata’s Bust a Move at Jonathan LeVine Gallery

Taku Obata TakuspeFAD, Takuspe B-Girl Down Jacket
Figures Left to Right: TakuspeFAD Jersey, TakuspeFAD, and Takuspe B-Girl Down Jacket by Taku Obata (All Photos By Gail)

Jonathan LeVine Gallery is currently hosting Bust a Move, a series of new works by Japanese artist Taku Obata, in his debut solo exhibition in the United States. Bust a Move features Obata’s dynamic wooden sculptures, drawings and lithographs of b-boys, or break-dancers, with a distinctly interpreted fashion style. A b-boy himself, the artist has a precise understanding concerning the forms of the human body and how they move, creating works that are bursting with the kinetic energy found in this urban dance form.

Taku Obata Takuspe (ALTERNATE)
Takuspe (ALTERNATE, Foreground), Takuspe B-Girl Runner (Rear)

The life-size (and larger!) sculptures in Bust a Move are captured in freeze stances, poses that complete every breakdance battle, and are adorned in brightly-colored jumpsuits with accessories sampled from the old-school b-boy style. Surreally elongated hats, glasses and gloves create the illusion of movement, in contrast with the stagnant demeanor of Obata’s subjects. The works have a dominating presence and by portraying modern dance through the ancient technique of Japanese wood-carving, the artist effectively merges popular culture with his cultural roots.

Obata fully immerses viewers in the environment of this subculture through his 3-D works, with the goal of enhancing our awareness and physical senses. In his own words, “I am not simply creating a b-boy, but I aim to create an atmosphere, a cool space with a certain strange and interesting tension.”

Taku Obata Installation View

LeVine is also displaying a collection of Obata’s drawings of b-boys in action, wearing bright, neon colored outfits.

Taku Obata Drawing

Taku Obata Drawing

Taku Obata Drawing
Drawing Detail

Taku Obata’s Bust a Move will be on Exhibit Through December 20th, 2014, at Jonathan LeVine Gallery, Located at 529 West 20th Street in the Chelsea Gallery District.