Tag Archives: bauhaus

Video Clip of The Week: Deaf Radio, “Anytime”



As we continue to creep as slowly as possible towards the day when Americans will either vote to dodge the world’s biggest bullet and move forward with progress, or just blow up the fucking world, it’s almost comforting to indulge the feelings of impending doom with the seductive, atmospheric dirge that is Deaf Radio’s “Anytime” — a song so good, it almost hurts.

Hailing from Athens, Greece, Deaf Radio (seriously, what a great name) serve up four all-killer-no-filler minutes of lush, woozy minor chord gloom with a tune that’s favorably reminiscent of Bauhaus — all menacing and alluring simultaneously — as well as one of my absolute favorite obscure bands from California, Starflyer 59 (if you are as fond of that band’s 1999 album, Everybody Makes Mistakes as I am, you probably have little stiffy right now). Visually, “Anytime” is a hallucinatory fever dream of enigmatic and captivating random images that tease and taunt. Personally, I want to  know what is up with that sink full of Goldfish“Anytime” is the first single from Deaf Radio’s upcoming album Alarm, which is due this winter, so keep your ears open for that action, because I bet it’s just insane. Like Deaf Radio on the FaceBook at This Link. Enjoy!

Deaf Radio Anytime

Moholy-Nagy: Future Present at the Guggenheim NY

Moholy-Nagy Three Globes
All Photos By Gail. All Text By The Guggenheim Museum

László Moholy-Nagy (b. 1895, Borsód, Austria-Hungary; d. 1946, Chicago) believed in the potential of art as a vehicle for social transformation, working hand in hand with technology for the betterment of humanity. A restless innovator, Moholy-Nagy experimented with a wide variety of mediums, moving fluidly between the fine and applied arts in pursuit of his quest to illuminate the interrelatedness of life, art, and technology. An artist, educator, and writer who defied categorization, he expressed his theories in numerous influential writings that continue to inspire artists and designers today. Continue reading Moholy-Nagy: Future Present at the Guggenheim NY

Modern Art Monday Presents: Paul Klee, Around The Fish

Around The Fish
Photo By Gail

In Paul Klee’s painting, Around the Fish (1926), a garnished platter of fish is surrounded by a constellation of seemingly disparate elements — a cross, full and crescent moons, an exclamation point, a forked red flag — all hovering against a dark abyss.
Continue reading Modern Art Monday Presents: Paul Klee, Around The Fish

Video Clip of The Week: Publicist UK, “Away”



I find that, more often than seems to make sense, a very melancholy, gloom-tinged song can also be simultaneously uplifting. Maybe that only works if you are already a happy person at your core. I don’t pretend to have any answers regarding such philosophical matters; I speak only for myself. This week’s Video Clip — which is called “Away” by an American band called Publicist UK — fully embraces a super dark and foreboding vibe, and yet it also feels exhilarating: kind of what you might experience if you sensed the unavoidable approach of a bad break up with a person you loved, and yet knew in your heart was a total asshole. Because, with the pain there would also come an overwhelming sense of relief that could not be denied. Now that is a situation I can definitely speak directly to. But we are not talking about me.

On “Away”, vocalist Zachary Lipez explores what might happen if Scott Walker listened to Lloyd Cole’s “Perfect Skin” about a hundred million billion times and then decided to cover a lost Bauhaus song. Yes, it is that great. The song shifts aurally from tranquil to super heavy around the 3-minute mark without ever losing focus on the melody, while finely-nuanced drumming by Dave Witte (who also drums for Burnt By The Sun) serves the song while showcasing his exceptional percussive talents. Win win!

Visually, the clip opts for impressionism over realism, transitioning between grainy, black and white stills, stop motion, and action snippets, interspersing a fun recurring op-art effect of rapidly pulsating concentric red and black targets, all of which create dynamic visual engagement. I like it.

“Away” comes from Publicist UK’s debut album, Forgive Yourself, which you can digitally pre-order right now via Bandcamp and physically own on or after its release date of August 21st. Relapse Records is handling distribution. Enjoy!

Publicist UK Band Photo
Publicist UK Band Photo By Scott Colby

Video Clip of The Week: Wray, “Relative”



I’ll tell you, what I like right away about this highly atmospheric video from Birmingham, Alabama’s Wray is the simple setting: just the band playing against a projection screening in a big, empty warehouse lit only by strobes and a few scattered light effects. I feel like I’m watching them perform at my own private rave!

The sound that this trio captures for the single “Relative” is the pure essence of ’80s arty post punk ala Wire Train and Bauhaus. I don’t think that there is higher praise to be given than that type of comparison at this time when mediocrity is feted and style is celebrated of substance every step of the way. Perhaps a bit of of the credit for Wray’s awesomeness is owed to engineer Daniel Farris (Man Or Astro-man?, St. Vincent, Polyphonic Spree, Verbena) but he certainly couldn’t add such a glorious sheen on top of a sound that wasn’t brilliant to begin with.

Catch Wray playing live during the CMJ Music Festival at New York City’s Lit Lounge on October 22nd! Enjoy!

Wray Band
Wray is David Brown, Blake Wimberly and David Swatzell