Photos By Gail
If you’ve ever wondered what a war zone would look like through rose-colored glasses, photographer Richard Mosse has already asked — and answered — that question with haunting clarity. This week’s Pink Thing of the Day is Sugar Ray (2012), a digital C-print from Mosse’s celebrated and unsettling photographic series The Enclave, which was created in the Eastern Democratic Republic of Congo using discontinued Kodak Aerochrome infrared film.
Continue reading Pink Thing Of The Day: Richard Mosse, Sugar Ray →
Photo By Gail
Shirana Shahbazi (b. 1974) makes photographs in classic genres like portraiture, still life, and landscape. Alternating between abstraction and representation, her vividly colored pictures are made in the crisp style of commercial studio photography without the aid of digital tools. She achieves her abstract compositions, such as Composition-40-2011 (2011) by photographing geometric volumes and pedestals whose sides are painted various colors, making multiple exposures of the same set of elements, and turning them between exposures to create an interplay between surface and depth.
This work is by an artist from a nation whose citizens would be denied entry into the United States according to recent presidential executive orders. This is one of several such artworks from the Museum of Modern Art’s collection installed throughout its fifth floor galleries to affirm the ideals of welcome and freedom as vital to MoMA, as they are to the United States.
Photo By Gail
By photographing the interior scene depicted in Missing Children (Captiva) (1988) at eye level and printing the image at life scale, JoAnn Verburg provides a point of entry for the viewer: one can easily imagine sitting at this table. At first glance, the work depicts a cheerful, everyday moment; yet the milk carton’s images and descriptions of missing children inject the dangers of the world outside into the intimate setting. Verburg explains that the photograph involves “putting a lyrical, private moment together with difficulty — the political, public side of life.”
Photographed in the Whitney Museum on NYC.
Photo By Gail
Seriously, how fucking creepy is this thing? Who knew it was possible to make pictures of clowns that look even scarier than real clowns? Clownmirror (2) (2001) by artist Roni Horn (b. 1955) is two identical chromogenic prints that serve as nightmare fuel for anyone the least bit adverse to clowns, which is most people.
Photographed in the Whitney Museum of American Art in NYC.
Photo by Gail
Elad Lassry (born 1977, Tel Aviv, Israel) is an Israeli-American artist who lives and works in Los Angeles. His chromogenic color prints — still life compositions, stock images, photocollages and studio portraits of friends and celebrities — never exceed the dimensions of a magazine page or spread and are displayed in frames that derive their colors from the dominant hues in the photographs. I love how this photo looks so much like an ad, and thus succeeds on the same level as the work of Andy Warhol to elevate commercial images to the realm of fine artwork.
Nailpolish (2009) is a new acquisition to the photography collection of the Museum of Modern Art in NYC.
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