Tag Archives: collage

Basquiat: The Unknown Notebooks, at the Brooklyn Museum

Basquiat Unknown Notebooks Signage
All Photos By Gail

During his career, Brooklyn-born artist Jean-Michel Basquiat (1960 – 1988) filled numerous notebooks with poetry fragments, wordplay, sketches, and personal observations ranging from street life and popular culture to themes of race, class, and world history. The first major exhibition of these notebooks, now on view at the Brooklyn Museum, features 160 pages of rarely seen documents, along with related works on paper and large-scale paintings.
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Adriano Costa, Lipstick Boutique at Frieze NY

Lipstick Boutique
All Photos By Gail

Frieze NY Weekend may be over until next year, but I’ve got a ton of cool photos to share with you so you can feel like you were there with me! You’re welcome! One of the pieces we really liked is this collage by Brazilian artist, Adriano Costa. Costa works with found objects and collage to translate the detritus of commodity culture into infinitely curious compositions. This collage, entitled Lipstick Boutique (2015) reminded me so much of works by David Shrigley; not just for the style but for the sense of humor.

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Cey Adams’ Trusted Brands at Rush Arts Gallery

Hot Wheels
All Photos By Gail

Cey Adams, a New York City native, is an icon of Hip Hop and graphic design. Trusted Brands is an exhibition of his new collage works on canvas examining branding in contemporary culture. Adams‘ use of collage and design principles creates rich textures of easily recognizable logos structured along subtle grids, which are becoming comparable to his signature. Adams’ delicate technique and balanced compositions celebrate the history of graffiti, graphic design, Pop Art and Hip Hop.

Coca Cola

Trusted Brands explores icons of brands that have impacted his thinking and ideology from youth. Adams emerged from the downtown graffiti movement and exhibited alongside fellow artists Jean-Michel Basquiat and Keith Haring. He appeared in the historic 1982 PBS documentary Style Wars that tracks subway graffiti in New York. He was the Creative Director of Russell SimmonsDef Jam Recordings and co-founded the Drawing Board an in-house visual design firm. He created visual identities, album covers, logos, and the differences here of advertising campaigns for Run DMC, Beastie Boys, LL Cool J, Public Enemy, Notorious B.I.G., Jay-Z and many others.

Union 76

Shell

Cey draws inspiration from 60’s pop art, sign painting, comic books, and popular culture. His work focuses on themes including pop culture, race and gender relations, cultural and community issues. Trusted Brands transforms images and graphics that he grew up with. “These are all brands that my parents trusted and then I ended up trusting. I wanted to do something that really kind of revisits that.”

Pepsi Cap N Crunch

Trusted Brands by Cey Adams will be on Exhibit only through March 28th, 2015 at Rush Arts Gallery, Located at 526 W26th St Suite 311, in the Chelsea Gallery District.

Kool Aid and KFC

Sebastian Wahl’s Psychedelic Gravy for the Receptive Mind at Joseph Gross Gallery

Sebastian Wahl 3 Mandalas
From Left, Kaleidoscope Vision (1 and 2) and Third Eye Vision, Collage Layered in Resin, 2014 (All Photos By Gail)

Because it is up for only one more week, you should make every effort to head to the Joseph Gross Gallery for Sebastian Wohl’s amazing solo exhibition, Psychedelic Gravy For the Receptive Mind.

Wahl is a Swedish artist now living in NYC who works with collage and lacquer in a manner similar to that of artist Fred Tomaselli, but on a much more cerebrally expansive scale. Geoffrey and I were fortunate to meet and chat briefly with Sebastian at the exhibit’s opening reception, back on February 12th, and when I mentioned how much his work reminded me of Tomaselli, he did confess to also being a fan, and offered that Tomaselli’s use of lacquer had been a tremendous influence on this new body of work.

Vahalla
Vahalla

To achieve his multidimensional effect, Wahl carefully places handmade papers and images between layers and layers of resin. The result is a collage time capsule with real shadows cast within each piece. “Collage is my medium, resin is just the gravy on top,” the artist states in the exhibits press release, adding that, “The mystical experience has always been a point of reference for my work so Psychedelic Gravy For the Receptive Mind seemed like a fitting title for the exhibition.”

Mandalla 4
Mandalla 4

Wahl’s goal is to trigger an awakening of imagination, spirituality and vision. In his work everything is balanced with the attention of a tightrope walker. This attention to balance transforms into symmetry and repetition in the three new circular works that he created for this exhibition. These three pieces are titled Kaleidoscope Vision (1 and 2) and Third Eye Vision (see the first photo in this post) and are loosely inspired by traditional Thangka painting.

The Conductress
The Conductress

Flying Lotus, VooDoo Chile, Kaliucifer
Juju Elves From Left: Flying Lotus, VooDoo Chile, Kaliucifer

Sebastian also created a new series of 7 small pieces that he refers to as the Juju Elves. The works are charged with positive energy and the intention of protecting their owner’s home.

Jimi Hendrix 4 and Jimi Hendrix 2
Jimi Hendrix 4 and Jimi Hendrix 3

He also did series of portraits of Jimi Hendrix, each one unique from the others.

Detail of Jimi Hendrix 2
Detail of Jimi Hendrix 3

12/21/12
12/21/12

Sebastian Wahl’s Psychedelic Gravy for the Receptive Mind will be on exhibit only through February 28th, at the Joseph Gross Gallery, Located at 548 W. 28th Street, Suite 243, in the Chelsea Gallery District.

Mandalla 1
Mandalla 1

Detail of Mandalla 1
Detail of Mandalla 1

Sebastian Wahl Signage

Modern Art Monday Presents: Max Ernst, Two Children Are Threatened By a Nightingale

Two Children Are Threatened By a Nightingale
Photo By Gail

A red wooden gate affixed to the painted surface opens onto a painted scene dominated by blue sky. At left, a female figure brandishes a small knife; another falls limp in a swoon; a man atop the roof carries off a third, his hand outstretched to grab a real knob fastened to the frame. The title of the work (inscribed at the base), was inspired by a fever dream the young Max Ernst experienced while in bed with measles.
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