In a stroke of great luck, I scored a pair tickets to the Mother-of-All- Art-Fairs, Frieze, and enjoyed a leisurely afternoon there on Saturday looking at lots of fun and provocative art! The fair has moved from its former remote location on Randal’s Island to The Shed in Hudson Yards — a fabulous modern space that allows the exhibitors to take over four entire floors! I’m sorry that I was so overcome by this hyper-realistic sculpture of a Corpse Flower that I neglected to note the name of the artist. I am sure that you’ll agree though that is quite impressive!
See More Photos From My Adventure at Frieze By Following Me on Instagram at @WorleyGigDotCom!
Ghada Amer, Happily Ever After (2005) Image Courtesy of the Artist and Marianne Boesky Gallery
A summer without art is no summer at all. If you’re an art fan who misses going to museums, keeping up with local galleries and exploring art fairs as much as I do, then you will be excited to learn that the second edition of Frieze Sculpture at Rockefeller Center will usher out the summer with one-month outdoor exhibit of works by six internationally renowned artists: Ghada Amer, Beatriz Cortez, Andy Goldsworthy, Lena Henke, Camille Henrot and Thaddeus Mosley. The site-specificworks will be installed in open, public locations throughout Rockefeller Plaza, allowing for ample social distancing space in compliance with all City and State guidelines. Offering free admission to all, Frieze Sculpture at Rockefeller Center will be on display from September 1st through October 2, 2020.
Yayoi Kusama’s Narcissus Garden Sculpture/Installation Paired With Chris Ofili’s Painting To Take and To Give (All Photo By Gail)
On a very rainy Sunday in NYC, the ideal indoor activity turned out be a ferry ride over to Randall’s Island for the Frieze Art Fair! Because what’s a little mud on your shoes compared to the joy of browsing for hours through thousands of prohibitively expensive artworks?
It Isn’t an Art Fair Without Yayoi Kusama!
Looking back through the digital archives, it appears that my previously most recent Frieze recap dates all the way back to 2015 — wow — for reasons that take too long to talk about. One thing that is abundantly clear though is that my skills as a photographer have improved greatly in the last four years! Let’s take look around this year’s Frieze Art Fair and check out a selection of my favorite art!
Carlotta (2017) is monumental 3D-effect stiles steel sculpture by Juame Pensa, found at Richard Grey Gallery. That’s an Alex Katz abstract painting at the left.
It didn’t take me long get distract by shiny things, because I neglected to note the artist of this installation of Colored Spherical Shaped Mirrors, which is just fantastic.
It might look like a weed has sprouted up though a crack in the wall at the booth for the Marlborough Gallery, but that weed is actually a metal sculpture. Clever!
Quartz Eroded Newspaper Machine (2019) by Daniel Arsham.
Here’s the view of another side: Coffee Cup included! Spotted at Perrotin Gallery.
Two colorful, feathered bears wrestle playfully in this sculpture by Paola Pivi entitled You Drive Me Crazy, also at Perrotin Gallery.
You know how it is when you have to wait so long for all of the people to clear out of the shot that your forget to make note of what you were photographing? This is one of those times.
Untitled (After John Singleton Copley) By Ewa Juszkiewicz
Mermaid Sculptures by Olivia Erlanger at And Now Gallery sell for $8,000 each!
Back and Forth (2016) By Marilyn Lerner at Kate Werble Gallery
Alyson Shotz created this iridescent suspended soft sculpture made from interlinked, dichroic-dyed aluminum discs, found at Derek Eller Gallery. Check out two detail views of this work, below.
Surface of Discs. Exterior.
Surface of Discs, Interior.
Here’s a unique blown-glass work by Gabriele Beveridge called True Bone. It’s so lovely I am compelled to offer a side view from which you can see how the glass ‘weeps’ over the chromed Steele frame, or bone.
Men Who Cannot Cry (2018) Neon Sculpture by Alfredo Jaar.
Mark Thomas Gibson, The Snowman (2018) at Fredericks and Freiser.
Stainless Steel and Urethane Vinyl Sculptures and Drawings by Seung-Taek Lee at Gallery Hyundai.
Alex Da Corte, Orb Weaver Weft (2019) at Karma Gallery.
Indigo Illusions (1991) By Betye Saar at Roberts Projects.
Empowered Women (2019) By Andrea Bowers at Andrew Kreps Gallery
This neon sign switched up its timely message by having the “ed” in “Empowered” flicker off and on. Nice.
Metaphysical Leg Pull (1976) By Duggie Fields, at The Modern Institute / Toby Webster Ltd.
You Should Be Dancing (2018) By Jim Lambie
This reflective wall sculpture made from the lenses of sunglasses was also spotted at the both for at The Modern Institute / Toby Webster Ltd.
Mirror Balloons By Jeppe Hein (2019) at 303 Gallery of New York.
Colorful Acrylic Sculptures By Marta Chilindron (Above and Below).
My Life As A Tree By Edouard Duval-Carrie (2019) at Lyle OReitzel Gallery.
Shiatsu (2019) By Max Hooper Schneider
Now here’s a modern sculpture that has everything! Max Hooper Schneider’s Shiatsu takes a custom acyclic vitrine — that an observer might easily mistake for an ordinary household aquarium — and creates a surreal habitat filled with hand tools scattered among the lush terrarium plant life and accented with a vintage neon sign! Let’s take a closer look.
Spectacular! Hooper Schneider’s work is represented by Maureen Paley Gallery of London.
Avid readers of The ‘Gig might recognize this freeform abstract sculpture as the work of sculptor Tony Cragg from This Post, though the one above, entitled Gate (2017) is of a much, much smaller scale!
Look Up: It’s one of Nick Cave’s Sound Suits!
Raked Leaves (Apparition) (2019) by Patrick Jacobs is a tiny diorama that was embedded into the wall of the booth for Pierogi Gallery of New York.
Check out this fabulous silk flower and bead-embellished hoodie sculpture, February (2018) by Devan Shimoyama. I would wear it.
Well that about wraps up this year’s Frieze coverage. If you dig the photos in this post please share the love and share the link on your social media! Art!
It’s been nearly ten years since my gig writing for Modern Drummer magazine came to an unceremonious end, but I still get nostalgic when I see a work of art that pays homage to the drums. Check out this crazy kit by Brazilian artist Sergio Romagnolo, which is made from hand-molded, headed plastic.
Here’s the kit shot from an angle that let’s you see the finer sculpture details, as the plastic dripping down from the rack-mounted toms onto the bass drum.
The full sculpted kit is comprised of a kick, or bass, drum, two rack-mounted toms, one floor tom, one snare drum, what is either meant to be a ride or crash cymbal, and one hi-hat cymbal, both on stands. The only crucial thing he left out — besides the hi-hat and bass drum pedals — is the drum stool. Perhaps that feature was omitted to keep would-be drummers from sitting down and trying to play it!
If you look closely, you will notice that Sergio has added small Red Rose, which is visible between the two mounted toms! In fact that is no accident, as the official title of the piece is Drums With Flower (2019). This artist prefers to create sculptures that explore the urban and industrial universe, such as cars, buildings, airplanes, cameras, and trash cans.
In the above installation view, you can see works by two other Brazilian artists: a painting by Jose Leonilson on the wall, and a reflective sculpture by Vanderlei Lopes on the carpet, foreground.
Photographed at the Frieze Art Fair, 2019, in the Booth for Galeria Marilia Razuk of Sao Paolo, Brazil.
Scott Putesky (aka Daisy Berkowitz): April 28, 1968 – October 22, 2017 (All Photos By Gail)
I believe that it is possible to live an entire lifetime in one day. I met Scott Putesky (sometimes better known as Daisy Berkowitz, founding member and original guitarist for the band called Marilyn Manson) in 2015 at mutual friend Mark Kostabi’s semi-annual Jazz Art Brunch. Mark, an accomplished musician himself, knows a ton of other musicians, and people always get up and jam with the band. At one point Scott played keyboards and sang a couple of cover songs. After he finished his set, I introduced myself, since I had written extensively about his band back in the day and I knew we had a few other mutual friends. Scott turned out to be very down-to-earth guy, and a terrific conversationalist, so we drank and laughed, talked about art and exchanged cards for a possible future meet up.