Photo By Gail
For Me as Warhol in Drag with Scar (2010) Gillian Wearing combined elements from two famous photo shoots of artist Andy Warhol (1928 – 1987): a 1981image of the artist in drag by Christopher Makos, and a visceral 1968 shot by Richard Avedon of Warhol displaying the freshly healed wounds to his torso resulting from a recent attempt on his life
Continue reading Modern Art Monday Presents: Gillian Wearing, Me as Warhol in Drag with Scar
Love the One You’re With Poster By Robin Hercia (All Images Courtesy of the Artist)
To build a livelihood at the juncture where fine art and design merge, Robin Hercia drew on her experience as a multidisciplinary artist, tapped into her intuitive sense of how to individually serve each client, and sought to infuse appropriate projects with an essence of earth-based and eastern spiritual practices to establish a truly unique, bespoke approach to brand identity, graphic design and art direction. Based in Los Angeles, AWMYL is Hercia’s design studio, where she creates exciting graphic, surface, and printed product design specializing in, but not limited to, brand identities and products for clients working in the arenas of wellness, healing, yoga and mysticism.
Continue reading Eye On Design: Graphic Designer and Art Director Robin Hercia
From Left, Kaleidoscope Vision (1 and 2) and Third Eye Vision, Collage Layered in Resin, 2014 (All Photos By Gail)
Because it is up for only one more week, you should make every effort to head to the Joseph Gross Gallery for Sebastian Wohl’s amazing solo exhibition, Psychedelic Gravy For the Receptive Mind.
Wahl is a Swedish artist now living in NYC who works with collage and lacquer in a manner similar to that of artist Fred Tomaselli, but on a much more cerebrally expansive scale. Geoffrey and I were fortunate to meet and chat briefly with Sebastian at the exhibit’s opening reception, back on February 12th, and when I mentioned how much his work reminded me of Tomaselli, he did confess to also being a fan, and offered that Tomaselli’s use of lacquer had been a tremendous influence on this new body of work.
Vahalla
To achieve his multidimensional effect, Wahl carefully places handmade papers and images between layers and layers of resin. The result is a collage time capsule with real shadows cast within each piece. “Collage is my medium, resin is just the gravy on top,” the artist states in the exhibits press release, adding that, “The mystical experience has always been a point of reference for my work so Psychedelic Gravy For the Receptive Mind seemed like a fitting title for the exhibition.”
Mandalla 4
Wahl’s goal is to trigger an awakening of imagination, spirituality and vision. In his work everything is balanced with the attention of a tightrope walker. This attention to balance transforms into symmetry and repetition in the three new circular works that he created for this exhibition. These three pieces are titled Kaleidoscope Vision (1 and 2) and Third Eye Vision (see the first photo in this post) and are loosely inspired by traditional Thangka painting.
The Conductress
Juju Elves From Left: Flying Lotus, VooDoo Chile, Kaliucifer
Sebastian also created a new series of 7 small pieces that he refers to as the Juju Elves. The works are charged with positive energy and the intention of protecting their owner’s home.
Jimi Hendrix 4 and Jimi Hendrix 3
He also did series of portraits of Jimi Hendrix, each one unique from the others.
Detail of Jimi Hendrix 3
12/21/12
Sebastian Wahl’s Psychedelic Gravy for the Receptive Mind will be on exhibit only through February 28th, at the Joseph Gross Gallery, Located at 548 W. 28th Street, Suite 243, in the Chelsea Gallery District.
Mandalla 1
Detail of Mandalla 1
Photo By Richard Avedon (Image Source)
“You’ve got as many lives as you like, and more, even ones you don’t want.”
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