Designed by Italian conceptual artist Maurizio Cattelan in collaboration with Seletti, this collectible porcelain plate with an image of a Toad Sandwich — pulled from the pages of Cattelan’s provocative, image-only magazine Toilet Paper — is just as charmingly absurd as the rest of the artist’s oeuvre.
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Modern Art Monday Presents: Mona Hatoum, Deep Throat
Mona Hatoum’s Deep Throat (1996) offers an interior view of her body as an object to be consumed. The artist inventively edited her endoscopy and colonoscopy footage to appear as if we are traveling through her digestive tract, from teeth to anus and back again. “I wanted the work to be about the body probed, invaded, violated, deconstructed,” said Hatoum, who, like all of us, lives in a technologically advanced society, where the loss of personal privacy is widely tolerated. Continue reading Modern Art Monday Presents: Mona Hatoum, Deep Throat
Modern Art Monday Presents: René Magritte, The Portrait
Belgian artist René Magritte (1899 – 1967) is famous for his surrealist works, which often challenge the viewer’s perception of reality and the ordinary. In The Portrait (1935), a simply laid-out meal is not as simple as it seems. Each object is rendered with equally sharp focus and pictorial realism, yet any expectation of everyday reality is overturned, above all by the unblinking eye that stares inexplicably from a slice of ham on a plate. The perspective of this still life tilts dramatically toward the surface of the picture plane, as if to confront or perhaps invite the viewer to join the table.
Photographed in the Museum of Modern Art in NYC
Eye On Design: Soundsuit #2 China Plate By Nick Cave
Nick Cave is an American artist, educator, and messenger working between the visual and performing arts through a wide range of mediums including sculpture, installation, and performance. Cave is well known for his Soundsuits, sculptural forms based on the scale of his body, initially created in direct response to the LA police beating of Rodney King in 1991. Soundsuits camouflage the body, masking and creating a second skin that conceals race, gender and class, forcing the viewer to look without judgement. They serve as a visual embodiment of social justice that represents both brutality and empowerment.
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