These stickers from Trumpo Collective — featuring the likeness of Drumpf wrapped in bullet belts and wearing a sombrero — were seen all over various light posts, street signs, distribution boxes and other surfaces near Pier 94 over the weekend. No me gusta El Trumpo.
After a leisurely, scenic walk on the High Line, Geoffrey and I showed up fashionably late at the Jonathan LeVine Gallery for the opening reception of Erik Jones‘ new exhibit of collage paintings, Twenty Sixteen, which is the name of the year that we are in right now! By the time we got there, the place was really packed. Scroll down to see a photo of the hot crowd action!
Erik Jones challenges viewers to see beauty in his chaotic, mixed-media works that merge nude subjects with nonrepresentational, abstract elements. Describing the human figures in his compositions as “aesthetic anchors,” they are the calming foreground upon which bursts of color, stenciled shapes and custom-made stickers create surreal landscapes. Using multiple mediums, such as watercolor, acrylic, colored pencils, wax pastels and oil paint, Jones’ portraits are technically complex and express a heightened sense of realism.
The relationship between Jones’ subjects and the abstract motifs that engulf them can be interpreted as conceptual fashion design. His portraits are dressed in a stunning hurricane of color and geometric patterns, suiting the needs of the individual while also maintaining their own autonomous beauty.
Along with Jones’ hypnotic portraits, Twenty Sixteen features a selection of works where the human form is removed, creating purely abstract environments. Sporadically placed symbols, silhouettes and a unique coded alphabet created by the artist fosters a subjective narrative he refers to as dialogue aesthetics.
I really liked the ones with all the fun stickers, more than the nudes, because I am five.
While this body of work may appear like a dreamlike universe, Jones does not view his paintings as depicting fantasy; they exist in front of the viewer, placed on canvases and paper with skill and thoughtful reverie, as if looking at a real living being.
Twenty Sixteen reminded me of a cross between This Exhibit and This Other Exhibit, and you may understand why I would make that comparison, if you can be bothered to click on those two links; which is something I never count on.
Erik Jones’ Twenty Sixteen will be on Exhibit Through April 30th 2016 at Jonathan LeVine Gallery, Located at 529 West 20th Street, 9th Floor, in the Chelsea Gallery District.
All Photos Courtesy of Juxtapose Dot Com
Thanks to Geoffrey’s incredible talent for scheduling an evening that includes multiple events located across town from each other, we were able to make an extended pit stop at Pace Prints for the opening night of Shepard’s Fairey’s amazing new exhibit, Harmony & Discord, wedged between attending a Kehinde Wiley opening on 29th Street and a lovely evening seeing Brendon Benson perform at the Bowery Ballroom. Timing!
Shepard Fairey is one of my favorite contemporary artists and this latest exhibit is the most exciting collection of his work that I’ve seen so far. Fairey created the works for Harmony & Discord in the Pace Editions studios in New York, which provided him with the opportunity to scale the work to a larger size, so the exhibit includes the largest screenprints he has done to date. If you are familiar with Shepard Fairey’s work you know that he started out as a street artist, creating the global “Obey” sticker campaign and continued his politically-themed art (Fairy’s best-known work is the iconic and much-copied Obama Hope poster) as he moved from the street into the galleries of New York, Los Angeles and Europe.
On view in Harmony & Discord are a number of silkscreens done with collage and spraypaint, as well as handmade paper (his first works with this medium), embossment and relief prints, and large metal plates with screenprint. Relating to the surfaces of his street work, the hand painted multiple (HPM) works in this series have backgrounds of stenciled pulp, collage, screenprint and embossment, allowing the image to pop off of its vintage, layered surface. The Pace Prints exhibition also marks the first time Fairey is presenting metal relief plates as art pieces, layered with silkscreen, furthering spatial extent within the work. The metal plates are so finely detailed, and these were definitely my favorite pieces in the exhibit. You have to see them up close to appreciate how beautiful they are. I also really liked the pieces that were heavily influenced by the Comic Book Art motif of the late pop artist, Roy Lichtenstein.
Shepard was in attendance at Saturday’s opening and he was so nice and attentive to his fans! He will sign anything you have with you, pose for a photo, give you stickers and even take the time to thoroughly and thoughtfully answer any questions you ask him, even though many people were waiting to have five seconds with him. So nice! Thank you Shepard Fairey for your wonderful art and for being such a cool person!
Photo of Gail & Shepard by Geoffrey Dicker
Harmony & Discord will be on exhibit through June 16th, 2012 at Pace Prints, located at 521 West 26th Street, 3rd & 4th Floors, New York, NY 10001. Gallery Hours are Tuesday -Friday: 10: 00 AM to 6:00 PM and Saturday: 11:00 AM to 6:00 PM
CBGB music club saw it all – the Ramones, Blondie, Talking Heads, Sonic Youth and so many more. The layers of flyers and playbills, graffiti, stickers and spilt beer seemingly coating the club’s every surface were as dense and sticky as the history of the place. Joe Holmes’ photos put the viewer right into the space – looking into the mixing board area, one can’t help but wonder at the cacophony of sounds that bounced off these heavily plastered walls. Purchase or read more about Mixing Board and Bench at This Link.
In another view of the infamous rock club, Joe presents the cavernous main room. Resembling sticker-encrusted saguaros, the pipes stand sentry along the perimeter of the room, from which, despite its signage proclaiming otherwise, there appears to be no exit. Somehow, though, the headbangers, thrashers, and mosh-pitters managed to stumble their way out onto the Bowery. And now they are all gone. Purchase or read more about Pipes at This Link.
Jen Bekman’s 20X200 sells affordable art prints priced from just $20! Browse around and see what strikes your fancy at This Link. And don’t forget: Art makes a great gift!