To create the look of the Zebra Punk Party Dress (which was part of her Spring 2007 Punk collection), Anna Sui combined ripped mesh leggings and armlets, references to Vivienne Westwood and Malcolm Mclaren’s punk fashions of the mid-to-late 1970s. The monochrome zebra print recalls the strict dress color code of the New York clubs that Sui frequented in her youth, such as Max’s Kansas City and CBGB.
Zebra Punk Party Dress is made from Silk chiffon with a nylon petticoat, leggings and sleeves; worn with brass/glass/plastic bracelet by Erickson Beamon for Anna Sui; cowhide boots by Ballin for Anna Sui.
Photographed in the Museum of Arts and Design in Manhattan.
This Red Satin Slashed Baseball Jacket from Vivienne Westwood’s spring 1991 collection references the Renaissance fashion trend of “slashing,” in which a series of small cuts made to the outer fabric of a garment (here, red rayon satin) reveals the contrasting lining (white burlap) beneath . This style demonstrates Vivienne Westwood’s studies of historic fashion, while also offering a more refined version of the designer’s ripped and ragged punk aesthetic of the 1970s.
Photographed as Part of the Exhibit, Fashion Unraveled: Fashion & Textile, on View at the Museum at FIT Through November 17th, 2018
Pioneering designer Vivienne Westwood’s seminal 1993/94 Anglomania collection enshrined the kilt in high fashion. It was worn on the runway by Kate Moss, who sported the look shown here, and by Naomi Campbell, who famously fell while wearing the Super Elevation Gillie platforms. The kilt evolved from a single long piece of durable, harsh twill in muted colors that Scottish Highland men wrapped around the lower body, belted, and the passed over one shoulder.
Safety Pin Mouthpiece – Punk Rock!
Beginning in the late seventeenth century, pleats were sown into the back the skirt, loops were added for ease of belting, and the top length formed an autonomous garment. For Highland clans , the kilt symbolized familial, military and geographic loyalties. Following a series of incursions known as the Jacobite Uprisings, the garment was banned by English law in 1746, and its use declined precipitously. The kilt was revived by nineteenth-century elites, who invented new traditions around its use.
Kilt Sporran Detail
Worn by the military until the mid-twentieth century, the kilt became a nostalgic symbol for Scottish nationals in diaspora, and it is a common element of girls’ private school uniforms and ceremonial wedding attire. Punks subversively paired it with hoodies and graphic T-shirts
Photographed at part of the Exhibit, Items: Is Fashion Modern? on Through January 28th, 2018 at the Museum of Modern Art in NYC.
The BRIT Award statue designed by British artist Damien Hirst has been revealed for the first time today (January 10). Hirst is the third iconic British artist to be let loose on the BRIT statue, following fashion designer Vivienne Westwood in 2011 and Sergeant Pepper artist Peter Blake last year. Hirst has adorned the statue with his trademark spot painting aesthetic. You can see a larger image of the statue below. Speaking about his role with the BRITs, Hirst said: “I am honoured to be asked to design this year’s statue, it has become such an iconic award, I love the BRITs.”
Meanwhile, BRITs Chairman David Joseph added: “Damien is truly one of the most important British artists and his reimagining of the statue will make winning a 2013 BRIT an even more special proposition.” A recent retrospective of Hirst’s work at London’s Tate Modern attracted 463,000 visitors.
The nominations launch for The Brits will take place today (January 10) at The Savoy in London, and will be hosted by BBC Radio 1 Breakfast Show host Nick Grimshaw. Highlights from the nominations launch will be hosted on the official Brits YouTube channel directly after the event. Critics Choice prizewinner Tom Odell will perform live, as will Jessie Ware.
The 2012 BRIT Awards saw Adele and Ed Sheeran pick up multiple awards and Blur perform live as well as accept the lifetime achievement prize. This year’s BRIT Awards take place on February 20th, 2013 and will again be hosted by James Corden.
Here is a statement from Sex Pistols’ guitarist Steve Jones about Malcolm McLaren, who passed away on April 8th at age 64 from cancer.
“I was upset when I heard the news, as I’ve always had a soft spot for Malcolm. I knew him since I was 17 before The Pistols formed — I used to drive him around in Vivienne Westwood’s car to the tailors in London in the days of the Let It Rock clothing store. Malcolm was definitely the Brian Epstein of punk — without him it wouldn’t have happened the way it did. I stayed friends with him throughout the years despite some of our differences. He came on Jonesy’s Jukebox a couple of years ago, and that’s a good memory. But my fondest memory of Malcolm, and I loved the guy, was his birthday gift to me when I turned 21 — he got me a hooker and some heroin.”