Created and directed by Provoke Films, the animated video for “Boo,” from Atlanta based solo project Moondy makes me wish this year’s Halloween wasn’t already behind us — because what a fitting soundtrack it would be! Part Industrial Dirge, part Psychobilly Rave Up, “Boo” follows a post-apocalyptic gladiator, who looks an awful lot like Trent Reznor, as he does battle against monsters and assorted zombies in the arena of an evil King. Feel the satisfaction as Trent kicks undead ass repeatedly until the only remaining opponent is the king himself. You’ll have to watch to find out what happens next.
“Boo” comes from the Moondy’s most recent album, Puffers, which was released on August 5th, 2014. Buy it at This Link! Enjoy!
If there is one thing I really love, it’s a song that reminds me of Tim Curry’s cover of “Brontosaurus”, originally by The Move. Therefore, it is impossible for me to not to dig this crazy clip, “People Mover” by a trio of rock dudes dressed like Big Foot, or something, whatever. And there is no denying that The People Mover, an awesome ride at Disneyland, figures heavily into the song’s lyrics: “Stand to the right / walk to the left / when you get off / better watch your step.” So, win-win!
“People Mover” delivers four-on-the-floor kick-assedness that rocks hard enough to crack a skull, and it holds up well even without the trippy video. I could live without the auto-tuned vocals, but I accept that use of this horrorshow of modern recording techniques is what attracts the youngsters. So, maybe it was a major label compromise, you know: “If you must dress like the Yeti, we insist you auto-tune your vocals, for the Kids.” (Me: Fuck the Kids.)
Sign up for PPL MVR‘s mailing list (painless) at This Link and get a free download of the song! See them live at the Echoplex in Los Angeles tomorrow — November 10th, 2104! Enjoy!
This week, The Worley Gig is happy to present our second-only-ever encore appearance by a band in the Video Clip of The Week spot as Tijuana Panthers once again grace us with their most rocking performance for “Torpedo.”
One thing is certain, Tijuana Panthers not only know how to bring the rock, but this LA-based trio also know it’s important to keep things simple and focused without a lot of bells and whistles. The big drums sound of “Torpedo” is going to incite a hip shake while the frantic, Black and White visuals of Vintage Race Cars, Destructive Flooding, Submarines, Plies of Alligators, and the Great White North will make you wax nostalgic for whatever it is you get nostalgic for. Highly entertaining! As an aside, we hope you remembered to set you clocks a back one hour!
“Torpedo” hails from the band’s recent release, Wayne Interest, available now via Innovative Leisure records. Check out Tijuana Panthers west coast tour dates below. Enjoy!
At a time when I can’t even bear to turn on the radio for fear of being exposed to whatever mortifying horrorshow that’s passing for popular music, LA-based rock quartet Black Belt Karate are like oxygen in a vacuum. Being schooled veterans of many and varied rock projects (guitarist Jason Mezilis also plays in Owl with Cult bassist Chris Wyse) BBK deftly blend power pop hooks with a classic rock edge to deliver addictive tunes that will appeal to fans of Sloan, Green Day, Foo Fighters and Cheap Trick.
The very fun clip for “Transformer” — a buoyant anthem with a positive message of self-realization — sees the band auditioning for a casting director in front of a backdrop that makes it look like they’re part of a police line up. Interesting! The video takes on a bit of a “Sharp Dressed Man” feel with its interspersing of sassy video babes and clips of the band rocking out. You can see that lead vocalist Ryan Hanifil is just dripping with Rock Star charisma. Rumor has it that they also occasionally perform as a Doors Tribute band. Excellent.
Keep up with Black Belt Karate’s music, news and live performances by following them on the FaceBook at This Link. Enjoy!
Black Belt Karate Are: Ryan Brown (Drums), Harry Ostrem (Bass), Jason Mezilis (Guitar) and Ryan Hanifil (Vocals).
Stoner-metal riff monsters, Romero, have revealed their tongue-in-cheek new video for the title track from their recent album, Take The Potion. I’ve never really played video games but I can certainly appreciate this hilarious and spot on parody of the 1980’s Nintendo – Legend Of Zelda 8-bit video games. This video is a combination of classic 8-bit in an almost stop-motion style that is animated frame-by-frame — similar to the process originally used by South Park, which can be very tedious and time consuming!
The funniest thing is that this video made me recall a one-off band called The Advantage that, in 2006, made a record of covers of Nintendo Game Theme Songs. So genius.
Coincidentally, the video for “Take The Potion” was directed by Aaron Romero (no relation to anyone in the band, as none of them are named Romero), who has recently directed videos for Wolf Bites Boy, Iron Reagan, Rebel Flesh, The Renfields, and Ratbatspider. “Take The Potion” is a kick to watch and it’s refreshing to find a heavy band that doesn’t take itself too seriously. Visit Romero on the web and download their music at Romero is Loud Dot Com. Enjoy!
I’ll tell you, what I like right away about this highly atmospheric video from Birmingham, Alabama’s Wray is the simple setting: just the band playing against a projection screening in a big, empty warehouse lit only by strobes and a few scattered light effects. I feel like I’m watching them perform at my own private rave!
The sound that this trio captures for the single “Relative” is the pure essence of ’80s arty post punk ala Wire Train and Bauhaus. I don’t think that there is higher praise to be given than that type of comparison at this time when mediocrity is feted and style is celebrated of substance every step of the way. Perhaps a bit of of the credit for Wray’s awesomeness is owed to engineer Daniel Farris (Man Or Astro-man?, St. Vincent, Polyphonic Spree, Verbena) but he certainly couldn’t add such a glorious sheen on top of a sound that wasn’t brilliant to begin with.
Catch Wray playing live during the CMJ Music Festival at New York City’s Lit Lounge on October 22nd! Enjoy!
Wray is David Brown, Blake Wimberly and David Swatzell
There might not be a more ingeniously clever way for a new band to get their song noticed than to name that song after one of the arguably best/most popular bands on the planet right now. Of course, I’m talking about Tame Impala (AKA Tim & Paula). Being all awash in fuzz guitars and psychedelic feedback, the Sunflower Bean tune “Tame Impala” serves as an emphatic homage to Kevin Parker’s Australian hypno-groove project, whether or not it actually has anything to do with that band. Like I’m saying, what a great marketing ploy!
This video might be best experienced if you still have an acid hangover from last night, but even if you’re stone cold sober you are going to appreciate whoever had the idea to drip what looks like a hot vanilla pudding over a shelf full of sports trophies, after raiding the inventory of prism tape wallpaper from the local art supply store. Strobe lights, mid-1970s Black Light Posters and a Plasma Sphere all purchased from Spencer’s Gifts at the local Mall complete the scene. I could watch this video all day!
Lead vocals on “Tame Impala” are shared alternately by guitarist Nick Kivlen who maintains the mellow, head-trippy vibe and bassist Julia Cumming, who adds her own punk edge. We also appreciate how the song takes off on a Black Sabbath-inspired Stoner Rock sojourn around the 2:26 mark. Heavy. And please note that drummer Jacob Faber bears a striking resemblance to a young Neil Peart! Ah, there is just so much to like about this young (teenage, even), Brooklyn based rock trio!
No word on a new /upcoming album just yet, but you can be their fan on FaceBook at This Link! Enjoy!