For Venezuelan artist Antonieta Sosa, Ajedrez Visual(Visual Chess), 1965, was “like my spinal column or my umbilical cord, uniting me to painting.” Scattered pops of color interrupt the regularity of the black grid, animating it with the playful movement suggested by the work’s title.
At times, these contrasting hues prompt an optical flickering or afterimage. To Sosa, such retinal effects underscore vision as a dynamic physiological process. Thus, Visual Chess foreshadows her eventual decisions to “come down from the wall” to engage with real space and bodies in the form of sculpture, performance and installations.
Whether you’re trying to scale back your expenses, simplify your lifestyle, or make the most of your property, it’s likely that you’re spending a lot of your time at home. This shouldn’t feel like a compromise. Instead, it should feel like a fabulous opportunity to try new experiences, have fun with your loved ones, and embrace a positive mindset. If you are struggling to see the joys in spending your time at home, you’ll need to work your way through the following four tips. They will help you to get the most out of your living space and will save you from looking back in regret. Continue reading 4 Tips For Having Fun at Home→
Salvador Dalí utilized his theory of “nuclear mysticism,” a fusion of Catholicism, mathematics, and science, to create this unusual interpretation of Christ’s crucifixion. Levitating before a hypercube — a geometric, multidimensional form — Christ’s body is healthy, athletic, and bears no signs of torture; the crown of thorns and nails are missing.
The artist’s wife, Gala, poses as a devotional figure, witnessing Christ’s spiritual triumph over corporeal harm. Several dreamlike elements from Dali’s earlier Surrealist work feature in this painting: a levitating figure, vast barren landscape, and a chessboard.
Painted in 1954, Crucifixion (Corpus Hypercubus) By Salvador Dali is part of the permanent collection at the Metropolitan Museum of Art in NYC.
Even if you’re a jaded art scenester who thinks he’s seen every kind of art on the planet, I’d venture a guess that you’ve not seen anything like the sculptures of Stephanie Lempert that make up Reconstructed Reliquaries; the latest exhibit at Claire Oliver Gallery in Chelsea. For Reconstructed Reliquaries, Lempert interviewed close to 100 people from all walks of life, exploring the rationale behind the reasons certain memories stay with us and why we form attachments to particular objects. Continue reading Stephanie Lempert’s Reconstructed Reliquaries at Claire Oliver Gallery→