In recent years, interest in cannabis and its consumption has grown exponentially. While smoking a joint is the most common way to consume cannabis, different devices such as vaporizers, dabs, and water pipes are becoming popular. Some people use it for recreational purposes only, but others find that it provides relief for certain ailments. Cannabis is becoming a part of every industry out there, and that includes fashion.
We were first introduced to the suspended sculptures and assemblage art of Hassan Sharif in the exhibit Here and Elsewhere at the New Museum back in 2014. Right now, Alexander Gray Associates is hosting a exhibit of Sharif’s recent work, featuring sculptures and woven assemblages. Recognized as a pioneer of conceptual art and experimental practice in the United Arab Emirates over the past four decades, Sharif has transgressed traditional frameworks for art making by extending his practice to performance, installation, drawing, painting, and assemblage that integrates ordinary objects as the primary medium. The tapestry-like works in this exhibition are conceptually linked by their relationship with the human body and social structures.
For this series, the artist creates artworks from sourced inexpensive and mass-produced goods that he buys at local markets in his native Dubai. By cutting, bending, grouping, and braiding these cultural artifacts, he sheds their functionality to enhance their aesthetic and political significance. For Sharif, “the work is about consumerism. “I use cheap materials, ordinary things that are readily available in the market,” he explains.
By weaving together, in the ancient tradition of tapestry making, ordinary objects consumed by today’s society, Sharif points both to the hyper-industrialization impacting everyday life and the abandonment of old traditions that were key to building strong bonds among the members of communities in the past. On his interest in unifying aspects of both the ancient and modern, the artist explains “I want to nurture new ways out of the old and present these in a contemporary visual and artistic context.”
In Sharif’s body of work, the rhythmically repetitive act of weaving echoes the involuntary functions of the human body, such as swallowing, breathing, and blinking. At the same time, the materials deployed to create the works in this exhibition, including combs, nail clippers, masks, and gloves are traditionally used to modify or cover the body. Recently, Sharif has centered his production around large-scale wall sculptures that incorporate objects that as he describes, “people depend on greatly to keep up with their daily routines and activity. So long as they are alive, they keep using, exhausting, and relying on them as if they are, in one way or another, part of their own bodies.”
In Masks, Sharif creates a grid of many colored face masks which cascade towards the floor, tied to one another by their black ribbons to ultimately form an irregular fringe at the bottom of the sculpture. The artists notes that masks have “an important historical role. In the Middle East, women cover their faces with veils. In Africa [masks are] used in dances to ward off evil spirits. Hiding one’s identity has become increasingly important.”
For Ladies and Gentlemen, he assembled mass-produced and inexpensive female and male shoes, into a drape-like object that emphasizes seriality and the dislocation of functional objects. His use of shoes speaks to an interest in sexual politics across centuries and geographies; in the work, men and women occupy a common space, and are bound together with hand-painted papier maché and ropes. In this way, he refers to the intrinsic connection between individuals and society.
Sharif’s interest in visual accumulation, and in systematic production, calculations, and geometric permutations are apparent in his choice of material for Combs (2016). For this work, he assembled plastic combs in a variety of bright colors, which jut out from the wall at irregular angles creating a haphazard visual rhythm. For the artist, combs, widely used to tidy hair, exemplify the use of logic necessary in mass-production of consumer goods. As he explains, “the number of teeth, the distance between them, their length and thickness, all seem to be well calculated, and they have been so for thousands of years.” Sharif echoes the geometric precision of the combs by organizing them in a meticulous gridded pattern in space, following a calculated mathematical model of his own invention, to create a hanging tapestry.
New Works by Hassan Sharif will be on Exhibit Through May 14, 2016 at Alexander Gray Associates, Located at 510 West 26th Street, in the Chelsea Gallery District
Eye-popping colors. Experimentation. Painted effects. The new Furla collection for Spring/Summer 2015 plays with fashion, art and graphics, melding the worlds with a dynamic appeal, understated elegance and upbeat energy! And what better way to introduce this new line handbags than with a fun party at the Furla NY showroom?
Continue reading Furla Handbags Previews Tones of Neo-Pop Collection for Spring/Summer 2015
Here in NYC, you have to live like a Boy Scout and be prepared for anything at all times, so you really need a big, lightweight and comfy bag to hold all of your stuff. Fortunately, Sprayground has a new line of outrageously cool backpacks for fall and winter and there is surely a design that will fit right in with your personal brand. If you’re more into outdoor activities, there are also specialty lines like the best ultralight backpacks for backpacking.
Check out some of these rad Sprayground styles we saw while enjoying a fun party held at the showroom offices of Red Light PR!
Talk about an unexpected alliance. Luxury fashion accessory retailer, Just One Eye has announced a new project based on a collaboration between renowned contemporary artist Damien Hirst and Mary Kate & Ashley Olsen’s handbag company, The Row. You can’t make this stuff up.
Created in a limited edition of 12 pieces in each of nine designs, and with a portion of each sale to benefit UNICEF, these works blur the line between high art and high fashion. Signed by the artist, each backpack features uniquely individual embellishments, from an assortment of prescription pills (an homage to the Medicine Cabinets series), to Hirst’s signature Spot Paintings. These Backpacks will sell for around $55,000 each (not a misprint) but you have to call for an exact price. Available from 12/12/12, or maybe already sold out, at This Link.