Trimcycle By Battle Creek is the name of this sculpture, which is comprised of a Pink Silicone Rubber House draped over a vintage Exercise Bicycle. It is part of the exhibit Bent, by artist Brian Tolle, from his group series known collectively as Levittown.
C24 has been one of our favorite galleries since we first discovered it with This Exhibit almost three years ago now. And the long wait we endured for the gallery to move into its new bi-level space, just half a block west of the previous West 24th Street location was well worth it, because with its cool new lower floor atrium, C24 can now showcase some truly monumental pieces, such as the hyper-realist sculptures of Carole A. Feuerman.
Installation View: Leda and the Swan (Foreground), Monumental Quan (Background)
Feuerman is a pioneering figure in the world of hyper-realistic art, as well as her new approaches to sculpture with painted bronze pieces for the outdoors and in water. The artist works in both miniature and monumental size sculptures. We were first introduced to her work at the Jim Kempner Fine Art Gallery a few years ago, and since then we’ve seen her work in public spaces and art fairs as well — her iconic stye being immediately recognizable.
The new exhibit, Hero and Leander takes its title from a Greek mythological story of Hero (a priestess of Aphrodite) who lived in a tower off a waterway, and Leander (a young man from the opposite side of the strait). Leander fell in love with Hero and would swim very night across the waterway to be with her. Hero would light a lamp at the top of her tower to guide his way. These trysts lasted through one warm summer. On a stormy winter night, the waves tossed Leander in the sea, while the breezes blew out Hero’s light. Leander lost his way and was drowned. When Hero saw his dead body, she threw herself over the edge of the tower to be with him in death.
Hero and Leander features sculptures of swimmers/bathers, dancers and gymnasts, as well as a silkscreen on canvas swimmer triptych, pictured below.
Capri, Catalina, Moran Triptych
New York Slicker
The Dancer With Ball
Carole A. Feuerman’s Hero and Leander will be on Exhibit Through June 25th,2016 at C24 Gallery, Located at 560West 24th Street in the Chelsea Gallery District.
We last saw the art of Marc Dennis at the late Hasted Kraeutler Gallery for his January 2011 exhibit, An Artist, A Curator and a Rabbi Walk Into a Bar . . .. As you can see by the title of this painting, his work is still very meta. But really, shouldn’t it say that these guys are walking into an Art Museum? Just sayin’.
Marc Dennis, Ironman, Captain America, and a Russian Mobster Walk Into a Bar is part of How Many Miles to Babylon: Recent Paintings from Los Angeles and New York On Exhibit Through February 27th, 2016, at C24 Gallery, Located 560 West 24th Street, In the Chelsea Gallery District.
C24 Gallery has another must-see exhibit up now showcasing the latest work of Spanish-American artist, Domingo Zapata, entitled A Bullfighter in New York / Un Torero in Nueva York. The show includes twelve of Zapata’s Chaquetillas, in a series called Dress to Kill, and four Burladeros, as well as paintings of matadors dressed in full regalia tending to everyday tasks.
Although considered a “blood sport” most enthusiasts, like Zapata, view bullfighting as a fine art. This new series recalls the artistic nature of a Spanish tradition brought to fruition by a contemporary hand. In many countries, the stadium execution of the bull has been outlawed. It can be speculated that doing so has focused the audience on the true nature of the tradition.
Like all artists, the work of the Torero relies on long standing formal gestures, an emphasis on aesthetics, as well as the energy and reception of the viewer. Bullfighting lacks elements of competition, rendering the spectacle, much like Zapata’s work, a thrilling expression of agility, vitality and courage.
Zapata’s Chaquetillas (bullfighting jackets) are an essential element of the traditional traje de luces or “suit of lights” ritually worn by the world-famous matadors during treasured Spanish pastime. The term traje de luces originates from the sequins and reflective threads of gold and silver woven into the jackets. The suits themselves are based on the flamboyant costumes of the 18th century dandies and showmen involved in tauromachia, which later became exclusive to the bullfighting ritual.
The graffitied photographs of models wearing the Chaquetillas capture iconic models using their semi-naked bodies as canvases. “A woman is a mother of creation,” Zapata says. “Without creation, we don’t exist. Therefore, I find women extremely important and caring and loving, you know?”
The Burladeros are wooden panels that are located a short distance from and parallel to the bullring wall, behind which a bullfighter can seek refuge from a bull during a bullfight. Zapata has adorned these solid shields of protection with brightly painted graffiti amid figurative outlines. The titles of each Burladero come from the names of well-known and bullfighters.
In his newest series of paintings Zapata explores the place of the bullfighter in the modern world. Daily rituals of modern life, such as walking a dog, surfing the internet or cooking dinner, are juxtaposed with the Torero in full, traditional garb is surrounded by a red saturated background. The vibrant crimson backdrop recalls the red capes used by the Torero’s in the final performance of a bullfight.
Domingo Zapata has been commissioned for many murals throughout New York City and most recently for the lobby of New York City’s Freedom Tower.
Domingo Zapata’s A Bullfighter in New York/ Un Torero En Nueva York will be on Exhibit through December 24th, 2014 at C24 Gallery, Located at 514 West 24th Street, In the Chelsea Gallery District.
Painted Mirror By Martin Durazo (All Photos By Gail)
Altered States at C24 Gallery is an exhibition featuring the work of two Los Angeles based artists, Martin Durazo and Ryan Perez. The title of the exhibition refers to creating an altered state of reality through a narrative visualized by light, line, dimension and color. As you can see, these artists deal specifically with each of these qualities in their respective paintings.
Martin Durazo paints on both canvases and mirrors using fluorescent colors and bold brush strokes. The artist explains, “I find it fascinating that these colors are in vogue fashion-wise. I also feel that they have a relationship to punk and new wave music of the ‘70s and ‘80s, my coming–of-age years.” Mine too, Martin!
Here’s another painted Mirror. I really like this one.
Durazo’s use of neon paint and metallic suggests both a hyper reality and black light illumination. Transcendental in nature, the works presented in Altered States are a part of a continuing body of work that explores the spiritual aspects of lurid and elicit behavior. The visual result is colorful and instantly attractive – it’s audacious and at times flashy, yet always loaded with complex symbolism and stratified references.
I met the lady pictured above at the opening reception on September 11th, and her dress reminded me so much of the colors in Martin Durazo’s paintings that I asked if she would pose with them. Also, I was a teeny, tiny bit drunk.
Above is partial installation shot a selection of Ryan Perez’s works that you see as soon as you enter the gallery. His work integrates computer generated and hand painted elements in artist frames, which are configured to trick the eye of the viewer, merging the real and digital world.
In describing his work, Perez writes, “As an image-maker, I can’t help but contemplate how the majority of the visual world we experience is constructed through a series of identity systems via graphic design…” Interesting, and so true!
I really enjoyed this exhibit, and the people at C24 are always very nice, so I recommend you add Altered States to your list of shows to check out over the next few weeks.
Altered States Runs Through October 25th, 2014 at C24 Gallery, Located at 514 West 24th Street, in the Chelsea Gallery District.