With its petal-like stole, this evening gown, The Tree (1955), transforms the wearer into a flower, giving her a sensual elegance. Couturier Charles James (1906 – 1978) often envisioned his clients as exotic flowers and he believed that fashion should arouse the mating instinct. Ooh!
Paula Douglas, also known as Gretchen Fetchen, was one of the early participants in the San Francisco Acid Test happenings organized by Ken Kesey’s Merry Pranksters in the mid-1960s. The events were designed as gatherings to promote consciousness expansion and creativity through the use of LSD, which was legal at the time. Continue reading Eye On Design: Acid Test Dress and Boots By Gretchen Fetchen→
Yves Saint Laurent’s fall 1965 collection was inspired by the paintings of Piet Mondrian. While it became one of Saint Laurent’s most famous collections, other designers had introduced similar designs before him. The Montreal Gazette claimed that color-blocked dresses by Michele Roiser had inspired Saint Laurent to “add a few black lines” to his own creations.
YSL dress seen here with a color block design by Lousi Feraud (circa 1967) on the left.
This dress, part of Dutch designer Iris van Herpen’s Autumn 2102 haute couture collection, was 3D printed using a process called Stereolithography. It was built layer by layer in a vessel of liquid polymer. The polymer hardens when struck by a laser beam. This technique allows for more texture and transparency than selective laser sintering. Graphic and organic elements come together to evoke dimensional lacework. Continue reading Eye On Design: 3D Printed Orange Lace Dress By Iris van Herpen→