If there’s any doubt about how hot this Hot Pink Nymphaea tropical day-blooming water lily really is, check out the impossibly horny Bee doing its thing right there in the center of the flower. So hot.
Photographed at the Enid A Haupt Conservatory at the New York Botanical Garden.
One of the enduring legacies of Gabrielle “Coco” Chanel was her elevation of costume jewelry to high fashion. Maison Gripoix, a house that has serviced the couture industry since its founding in 1869, was among her earliest and most frequent collaborators. The company’s specialized pate de verre (glass paste) technique was developed by the founder, Augustine Gripoix, and passed down generationally. Instead of the kiln method employed by other manufacturers, the house pours molten glass directly into the sophisticated metal settings that frame its designs. This meticulous an costly process allows for greater freedom of coloration and form, and lends a subtle effervescence to the floating glass components. This wreath of graduated translucent flower heads (circa 1938) was produced by Gripoix for Chanel and reflects the late 1930s vogue for romantic nature-based motifs.
Photographed as part of the exhibit In Pursuit of Fashion: The Sandy Schreier Collection, on view through May 17th, 2020 at The Metropolitan Museum of Art in NYC.
With its petal-like stole, this evening gown, The Tree (1955), transforms the wearer into a flower, giving her a sensual elegance. Couturier Charles James (1906 – 1978) often envisioned his clients as exotic flowers and he believed that fashion should arouse the mating instinct. Ooh!
On the lookout for cool Pink Things at the ICFF, we spotted this ‘illuminating’ design by UIC student Maria Diamond. Emby, a bud-shaped sculptural lamp, is made from fluorescent pink sheets of acrylic. This type of acrylic is unique in that it has colored edges that have a natural glow to them. Its light source — an LED puck light that is also covered by acrylic — was placed to shine downwards into the acrylic, forcing it to refract through the curves and the etched contours of this organic form. Inspired by the form of a flower, the acrylic was heated and shaped in a way that best-defined the edges, to create a rosy glowing lamp. Stunning!
I contacted Maria via email, and she provided additional background on the piece:
“The project brief was to select a material from a list given to us as students, and then come up with a house good that best exemplifies the properties of that material. In my case, what is unique about acrylic is that some [types] have colored edges that have an inherent glow. Acrylic is also a thermoplastic, so I laser cut a flower-inspired shape from the sheet of acrylic and cooked it in my oven, which allowed me to bend the petals upward, as I wanted to highlight the petals’ edges.”
The designer continues, “I thought it was interesting to have the puck light be its own piece, because most people would assume the central placement of a light would shine up and out of a form. Instead, I did the opposite; that, when turned on, the source of light providing the natural glow from the edges is questioned. Maria is selling this design for $180 and is open to making additional lamps in different colors. You can contact her by leaving a message in comment section!
Images of this rare Parrot Flower (Latin name Impatiens Psittacina) are currently circulating in the kinds of (often suspect) emails that tend to “make the rounds.” Although there has been some speculation that the Parrot Flower is a hoax and that this image has been photo shopped, it is actually a real flower – and quite a lovely one at that. You can read about the myths and legends of the Parrot Flower at This Link.