Yves Saint Laurent was hired was hired as Christian Dior’s assistant designer in June 1955. When Dior suddenly died in 1957 — even though he had expressed a desire for Saint Laurent to succeed him — the fashion house’s management was initially hesitant about putting its empire, which by then accounted for more than half of all French haute couture exports, in the hands of a 21-year-old.
“When I think about pinafores and jumpers and compromised purity, it’s actually quite punk. Go further back and it’s all about mod and Twiggy and dolly birds and thousands of school girls like me pouring over magazines, reading articles from the front lines of pop culture.”
Throughout her career, Anna Sui has summoned the youthful spirit of the school girl but was an edge, embracing the complexity of teen-hood. For the fall 1994 Schoolgirl collection, Sui focused on Yves Saint Laurent‘s most iconic designs, which she reinterpreted in high-tech sportswear materials.fall 1994 Schoolgirl collection, Sui focused on Yves Saint Laurent‘s most iconic designs, which she reinterpreted in high-tech sportswear materials.
Saint Laurent was also a superb colorist, as reflected in the collection’s use of bold colors. The sportswear sensibility extended to a series of outfits inspired by cheerleader uniforms, many of which Sui accessorized with pom-pom hats by James Coviello.
Jacket Front and Back Detail
Schoolgirl Collection Installation View: Cheerleader Ensemble (far right) worn with plastic/wool pom-pom hat by James Coviello for Anna Sui; Plastic belt, two necklaces, and bracelets by Erickson Beamon for Anna Sui; fishnet nylon hose and acetate/satin-covered domestic cowhide short boots by Emma Hope for Anna Sui.
Photographed in the Museum of Arts and Design in Manhattan.
Yves Saint Laurent’s fall 1965 collection was inspired by the paintings of Piet Mondrian. While it became one of Saint Laurent’s most famous collections, other designers had introduced similar designs before him. The Montreal Gazette claimed that color-blocked dresses by Michele Roiser had inspired Saint Laurent to “add a few black lines” to his own creations.
YSL dress seen here with a color block design by Lousi Feraud (circa 1967) on the left.
This whimsical Wedding Ensemble from the Yves Saint Laurent Summer/Spring 1999 prêt–à–porter collection consists of two well positioned wreaths of flowers: a bikini-like bra top and hip-hugging bottom with a long train attached. For the ultra-confident bride! Continue reading Pink Thing of The Day: Wedding Ensemble By Yves Saint Laurent
It’s been a while (i.e. way too long) since we had the chance to stop by an opening reception at Morrison Hotel Gallery on Prince Street in Soho. Fortunately, we remedied that situation by hitting the party for Uncovered, a selection of 60s-era Black & White photography from New York based legend, Ken Regan. Continue reading Ken Regan’s Uncovered at Morrison Hotel Gallery