Photo By Gail
In the 1990s, Roy Liechtenstein created a body of work called Interiors, in which he mixed references to classical antiquity, the renaissance, and modernism. He also used visual signs plucked from his own illustrious career, such as his characteristic Ben-Day dots . Created in the last year of Lichtenstein‘s life, this drawing is a study for a painting, Interior with Ajax (1997), commissioned by the fashion designer Gianni Versace. In it, a confused looking Ajax, a hero of Greek mythology, finds himself in an an eclectically decorated room in which styles float free of their contexts and hatch marks are divorced from their descriptive function.
Photographed in the Morgan Library in Manhattan.
All Photos By Gail
I don’t spend much time in midtown, so when I passed by this mural by Eduardo Kobra on 44th Street between 2nd and 3rd Avenues I thought it might be new. As it turns out, this work, which features an image of American pop artist Roy Lichtenstein, has been up since August 2018. Continue reading Kobra’s Peace Mural in Midtown
Photo By Gail
By the 1970s, Roy Lichtenstein’s comic-strip style of painting had become his trademark. While he had adapted his early compositions from actual comic books, here Lichtenstein referred to an art historical rather than a pop culture source: Henri Matisse’s Red Studio (1911, in the collection of MoMA), which features Matisse’s canvases casually set around a room. Into the flattened studio space of Artists Studio Foot Medication (1974), Lichtenstein similarly inserted whole of partial versions of his own real and imagined artworks across a range of subject matter, including geometric abstraction. This painting’s title calls out the 1962 print Foot Medication, reimagined as a monumental painting at the upper left. This kind of self-quotation, at once playful and thoughtful, would become anther feature of Lichtenstein’s production.
Photographed in the Art Institute Chicago.
All Photos By Gail
Brushstroke Group is a public sculpture by pop arist Roy Liechtenstein that you can hardly miss if you are walking on Seventh Avenue between Madison Square Garden /Penn Station and Macys. The problem is: it’s nearly impossible to get photos that don’t have a ton of people them. Because, Midtown.
Lichtenstein liked the idea of making brushstrokes that were not brushstrokes so much, he finally arrived at the idea of making a brushstroke that is actually a sculpture. His sculpture on 7th Avenue and 33rd Street is a 3D version of his brushstroke paintings — and only one of many other, different Brushstroke Group sculptures located in other US cities.
This same sculpture was previously displayed at Navy Pier in Chicago in 2012. At some point, it will surely move along to a new home.
Photographed at 7th Avenue and 33rd Street, Adjacent to Madison Square Garden!
A Section of the Greene Street Mural at Gagosian Gallery (All Photos By Gail)
In December 1983, Roy Lichtenstein created Greene Street Mural, an unprecedented, site-specific and temporary wall painting measuring 18′ × 96 1/2′ at Leo Castelli Gallery, located at 142 Greene Street. In accordance with Lichtenstein’s intention, the work was destroyed after the six-week show.
Continue reading Roy Lichtenstein’s Greene Street Mural at Gagosian Gallery