This week I went on an adventure! I had to make a trip down to Wall Street for the first time since our work-from-home directive went down in mid-March, because I had dermatologist appointment. Wee! After braving my masked-up, socially distanced subway ride, I had about 30 minutes to kill before my appointment time, and I enjoyed walking about in the financial district in relative solitude. It was awesome. And what a fun surprise to see artist Arturo Di Modica’s now-iconic bronze statue, Fearless Girl, rocking a face mask to reflect the Covid Life we live in. Inspiring! If you happen to be in that area, you can find her on Broad Street standing across from the NYSE.
I like to think of myself as a low-maintenance babe. I’m not a slave to an elaborate make-up routine, so I want my skin to look good, even if I’m leaving the house with just a dusting of powder on my face. In NYC especially, the colder months mean harsh weather conditions combined with the drying effects of indoor heat that can wreak havoc on your complexion. To keep your skin looking as young as possible, it’s definitely worth investing in quality skincare products that will cleanse, moisturize and protect your face, so that you look fresh and youthful, with or without make up. Recently, I was given the opportunity to review a new, female-founded skincare product line called James Anthony. After a few weeks of use, these fine products have become part of my daily routine.
Jennifer Hayes, founder and CEO of James Anthony Skincare, is an industry veteran with 20 years of experience. Based on her own issues with sensitive skin, rosacea, breakouts and aging, and her frustration with a full range of products — from OTC to prescription treatments — Jennifer developed James Anthony based on a whole new way of treating, repairing and protecting the skin. Using unique Peptides and enzyme-release technology, James Anthony offers a results-driven skincare line unlike any other on the market. The dramatic effect of the peptides on the complexion offers visible results, increasing daily skin repair without irritation, while the enzyme-release technology allows for deeper penetration into the skin, ultimately better results, and less irritation than other topical skincare treatments.
These claims are impressive, sure, but I know that the only way to prove that the products really deliver the results promised is to try them. I started using the James Anthony skincare line at the beginning of October, just as the changing weather was making my complexion noticeably dry and flaky. Below, I’ll show you each product I’m using, explain what it does, and offer my own experience. Here we go.
The fist step in basic skincare is cleansing. Come Undone ($28) is gentle pH-neutral cleanser formulated to remove makeup and impurities without stripping away skin’s natural oils. Come Undone contains a probiotic and peptide complex that acts as an antimicrobial agent and an anti-inflammatory, and helps regulate defenses in the skin.
The photo above shows how Come Undone looks when you pump one application into your palm: light and foamy. I was skeptical that this lightweight foam was substantial enough to clean the days worth of ‘NYC atmosphere’ and make-up off of my face, because I’d been using a cleanser with a creamier, thicker consistency, but I was soon won over. The foam lathers well as you circulate it around your face with your finger tips, and it rinses clean with just a few splashes of water. There is no need to ‘scrub’ your face, or use a washcloth, although I suppose you could use one if desired. I like the way my face feels fresh and smooth after washing it with Come Undone.
After cleansing, you want to tone and moisturize your skin. T.L.C. toner ($28, above right) is formulated with multiple acids that work to treat and clarify skin, and probiotics that help balance skin resulting in a healthy, glowing skin tone, T.L.C (stand for Treat, Level, Clarify) is formulated to be gentle enough for daily use, but effective enough to deliver maximum results. Offering antioxidant protection, T.L.C. prepares the skin to accept skincare products that follow its application.
I’d like to point out here that since all of the James Anthony products come in well-designed packaging that employs with a “pump” delivery system (as opposed to unscrewing a cap and squeezing or pouring the product) each one dispenses just enough product to do its job, and there is no waste. I apply two to three light sprays of the T.L.C. toner on a cotton square, and it is enough to tone my entire face. I can also tell that the Come Undone cleanser has worked well because I see virtually no make-up residue on the puff after applying the toner to my skin. T.L.C. toner is non-drying and makes my skin feel tingly fresh.
Next, you want to treat and moisturize. In the evening before bed, I use Resurrect P.M. Cream ($88) — a true age-reversal treatment. Resurrect is designed to treat serious aging signs with the most advanced skin technology, resulting in rejuvenated skin, even skin tone, and stimulation of the skin’s daily repair via a pro-active peptide complex. I spread one application of this lightweight serum over my face and throat, and it dries almost instantly. There is greasy feel at all and you can next apply additional moisturizer, if desired.
Vivify ($68) is a lightweight hydrating day cream formulated to repair, replenish and provide the perfect balance of moisture for healthy, glowing skin. Vivify combines key vitamins, nutrients, collagen-stimulating peptides and more for an increase in elasticity and softer, smoother, and more even skin tone. I enjoy the creamy feel of this moisturizer on my skin, and it absorbs quickly. Vivify helped to heal my flaky skin issue within a couple of days after I started using these products, and my face feels soothed after use. This is a terrific moisturizer for all skin types.
Holy Veil Primer, SPF 35($48) is my favorite product in the line! This broad-spectrum chemical-free self-adjusting tinted sunscreen provides skin with antioxidants and essential vitamins while protecting it from the sun’s harmful rays. Used as a primer under makeup or alone, Holy Veil evens skin tone, smooths the skin, helps with flawless makeup application and helps retain the skin’s moisture for a lasting healthy glow.
I absolutely love this primer! I’ve been wearing it alone, without any added foundation, on the weekends and my skin looks amazing. Holy Veil goes on smooth like velvet, distributes evenly and seems to have an oil absorbing property because there is no shine on my face for hours after I apply it. I would compare this product to Clinique Super City Block (SPF 40) except I like Holy Veil much better.
The Genie in a Bottle ($98) is your secret weapon for combating extreme dryness. This maximum moisture-boosting serum instantly transforms dull, dry, damaged, and unbalanced skin into soft, radiant, balanced, beautiful and healthy skin. A multi functional serum that goes beyond basic beauty oil, Genie in a Bottle can be used whenever a nourishing moisture boost is needed and it offers rapid and deep penetration of actives for cellular regeneration, making it perfect for use on the face, neck, and hands. It can also be used on the ends of your hair, or (my favorite) massaged into dry cuticles and fingertips. You can even add a few drops to your favorite creams or lotions to boost its moisturizing benefits. Just a drop or two goes along way, and you can achieve truly miraculous results.
Smooth Move Mask ($58) is your once a week go-to for exfoliating and revitalizing your skin. Packed with ingredients such as papaya, cucumber and aloe vera, this mask instantly moisturizes and calms the face. Grapefruit and pineapple combine to remove dead skin cells, leaving the face with a hydrated glow and allowing other James Anthony Skincare products to penetrate even deeper into the skin. Smooth Move is unlike any other mask on the market.
Smooth Move, as you can see, is a lovely shade of green, and its light fragrance recalls all of its natural ingredients. I like that this mask is a gently exfoliating, wash off mask, rather than one that needs to be left to dry on the face, and then peeled or washed off. If you have sensitive skin, this mask is especially ideal.
I have enjoyed discovering the benefits of using the James Anthony Skincare line and I have honestly seen benefits from each product even in a short amount of time. I would even say that they are fun to use, and I look forward to taking better care of my skin with these products. The entire James Anthony Skincare product line in now available online via James Anthony Skincare Dot Com. Get 20% Off your first order and check out a few sales going on right now!
While I’m a bit “Late to the Ball, Cinderella” in getting these photos up — as the exhibit closed on April 23rd — I can’t resist sharing the amazing works of artist Tim Hawkinson. I first became aware of Hawkinson last summer, when my friend Evelyn raved about him to me in conversation, and since then he has become one of my favorite contemporary artists — particularly for his inventive and humorous kinetic sculptures. Pace Gallery recently hosted a very fun and eclectic retrospective of Tim Hawkinson’s work called Counterclockwise. For the work pictured above, Bikini (1993, reworked in 2014), Hawkinson wove electrical cords into this familiar object of clothing. Like other sculptures in this series (began in 1991, which also includes socks, shorts and a bra) Bikini maintains the original function of the extension chord; in this case, it powers Signature, the sculpture directly adjacent to it.
Please enjoy my favorite photos from the show!
Signature (1993) translates a sense of Hawkinson’s own being into a machine, giving life to a combination of working parts that continuously pens the artist’s signature onto slips of paper. Signature also records the passage of time, as endorsed sheets pile onto the gallery floor.
One of my favorite pieces in Counterclockwise is this gigantic Maori Mask, Koruru (2009), created from found objects from his home, such as soda bottles, egg cartons, pill bottles, foil, and vinyl. I love how it looks like some kind of gargantuan, mutant collage of car tail lights.
Recalling bio-morphic forms, or cellular structures, the loops and swirls in Petrie (1999) were created by attaching pens and pencils to a modified drill head. Beginning at the center of the paper, the image developed outwards, with continuous adjustments to the speed of the drill, causing variations in the ink and graphite marks. Hawkinson describes the process as “expanding though accretion, or as in the growth of a crystal.”
Orrery, the title referring to a mechanical model of the solar system, or of just the sun, earth, and moon, used to represent their relative positions and motions, is a sculpture which employs the circle as its main motif, and a symbol of time. The spinning wheel remains in constant motion, while a woman at a spinning wheel twists her head all the way around in circles. The rug is made of twelve concentric rings; each ring a photograph of a bicycle tire track made in the sand. Heavy.
What looks like a rusty medicine cabinet housing typical toiletries and personal grooming objects is actually a timepiece called World Clock, which tracks global time zones with innocuous items like rotating pills in a bottle for Paris, or nail clippers for Sydney.
Hawkinson’s six-foot tall sculpture of a disembodied skinned knee takes everyday objects and positions them in new contexts, shifting scale to create a morbid close up of bloodied flesh. Characteristic of the artist’s practice of reinventing materials, the frayed denim is rendered using blankets and strands from a mop head, with painted resin used as an analogue for skin.
If this post and photos have piqued your interest, you can learn more about Tim Hawkinson’s career and work at This Link!
All Photos taken at Pace Gallery on West 24th Street as par of the Counterclockwise Exhibit, Which has Now Closed.
This also looks like a huge Roaster Pan, amiright?
Geez, how creepy is this thing, amiright? How many of you are thinking about The Gimp scene in Pulp Fiction right now? But really, this isn’t your garden variety fetish hood, but rather a work of art by Nancy Grossman (b. 1940). Snarl is a strikingly realistic sculpture created from patent leather, wood, paint, epoxy and zippers. On exhibit at Michael Rosenfeld Gallery in the Chelsea Gallery District.
OK, I am not sure if the protagonist (antagonist?) in this video is a mutant ‘Deer Man’ creature or just a guy wearing a Deer head mask. It does make difference in the way that you look at the clip, but ultimately it makes no difference in the way things work out. Anyway, I dig the absurd yet menacing indie flick Bag Head vibe of this high-concept-meets-performance video by Destroy This Place, a pretty rockin’ band from Detroit that channel all of the best sonic aspects of The Flamin’ Groovies, The Posies and The Jam for their fun, anthemic song called “Graves.” Check it out!
In the above photo, Hiding in California No. 1 – TED, you probably can’t see artist Liu Bolin, because he is hiding, literally, in plain sight. Let me give you hint of where he is:
Holy Chinese Lanterns! There he is!
Also known as “The Invisible Man,” the Chinese-born Bolin’s most popular works are from his Hiding in the City series; photographic works that began as performance art in 2005. New photos from Hiding in Hollywood and Hiding in New York appear as part of Mask, Bolin’s latest solo exhibit at Eli Klein in Soho,
Hiding in California No. 2 – Hollywood, 2013
Bolin is able to hide within his photographs by donning a suit of clothes painted to resemble the background and then simply inserting himself into the frame. Find him above by looking for the top of his head in the “W” of the Hollywood Sign.
Hiding in the City – Mobile Phone, 2012
This shot (above) is a close up, so you can sort of easily see him among a wall of smart phones.
Here he is in front of the Intrepid, NYC, 2012
In the gallery they also had on display the suit worn in a photo (not part of this exhibit) where Bolin blends into a wall of shelved cereal boxes. Very Cool!
Hiding in the City – Beijing Graffiti No. 2, 2012
Here’s another good one!
Since the exhibit is called Mask, it makes sense that there is also a selection of works inspired by traditional Peking Opera masks. The masks above incorporate the design and slogans of snack food packaging.
According to the exhibit’s press release, these masks “are symbolic reflections of Chinese society and its values. By recreating these masks using the advertising and labeling of popular food and drink products seen throughout China, Liu Bolin addresses the rapidly changing, highly commercialized values of Chinese society. By adding a necessary layer to these works — welding masks — Liu Bolin speaks to the dangers Chinese face in their contemporary society. With constant risk of food and drink contamination, living in China can feel as dangerous as working with molten hot metal.” So yeah, heavy.
Mask by Liu Bolin is a fantastic show and you should head on over to Eli Klein, located at 462 West Broadway (between Prince and Houston) New York, NY 10012 before it ends on July 21st, 2013!
Here’s a cool art piece from the twisted world of sculptress Patricia Waller, Sado/Maso (2000): Composed of Yarn, polystyrene, wire, wood. Crochet, 10 Parts, size variable.