Raymond C. Yard (1885 – 1964) is considered to be one of the great Art Deco jewelers. After mastering the art of jewelry making at Marcus & Co., Yard opened his own shop at 607 Fifth Avenue in Manhattan in 1922. Between 1928 and 1933 he created a series of charming Rabbit Brooches, each of which differs slightly, featuring fine details of gold, diamonds, rubies and sapphires. That the Rabbit Waiter brooch (1930) serves alcoholic drinks during Prohibition adds a certain humor to the whimsy, which would have appealed to Yard’s high-society clientele.
Photographed in The Metropolitan Museum of Art in NYC.
This hilarious Fat Pink Rabbit thing is a Tea Infuser that you fill with loose tea leaves and immerse in boiling water, to be used in lieu of a tea bag. It’s pretty cute and would make a fun little gift for any Tea Drinker. Even better: it costs just $3.00! Available at the Flying Tiger Shop in NYC!
The thing about being an Art Lover in NYC is that you don’t even have to go to a museum or gallery to see art, because art is literally everywhere. Geoffrey and I were walking East on West 50th Street on our way to MOMA and we passed this crazy Red Horse Head. We just had to stop and admire it, because it was part of an even larger, street-exposed display of sculptures and plants and very interesting things that you see below.
Yes, this collection of lovely and curious things was just off the sidewalk — not behind a door or window – exposed to anyone who happened to walk by. It turns out that this display is part of the CitizenM Hotel.
Also, you can see these little guys!
CitizenM Hotel is located at 218 West 50th Street Near Times Square in New York City. It looks like a cool and reasonably priced (for NYC) place to stay. Visit them on the web at This Link!
On the same evening that we visited Bethany Marchman’s collection of anthropomorphic animal oil paintings, we saw a remarkable exhibit from a sculptor exploring similar themes.
Come Undone, the new body of work by Beth Cavener Stichter, features large-scale works made from clay. Cavener Stichter cajoles the viewer into looking at the darker side of the human condition by cloaking it in animal skin. Her subjects elicit empathy, expressing complex emotions and relationships while permitting us to finally examine humanity closely enough to fully consider it — and to connect on a rare personal level.
A life-sized sculpture of a lamb makes for an unexpected chandelier, lit from within and suspended from the ceiling.
A sensuous hare dangles a tattooed leg suggestively over the edge of its sculpture stand, all the while sustaining the piercing eye contact Cavener Stichter’s works are known to possess. Each work heightens our visual interest while dramatizing states of grace, fear, desperation and beauty.
The White Hind (The Bride) reminded us very much of This Piece.
In Bocca al Lupo (We call it Wolf with Pink Vomit)
Each piece is testimony to Cavener Stichter’s truly innovative studio practice. While the properties of her chosen medium enable her an eloquence of form and surface unavailable through other media, she pushes the process further through a construction both delicate and time consuming. She begins with a solid block of terra cotta, taking care to create her signature “painterly” sweeping strokes in the clay. She then cuts the work into small, manageable sections re-work and re-articulate the musculature, skin, and fur. The next step is to painstakingly hollow out each section until it is very thin and thus fires to an extreme strength. After the kiln, she re-assembles the pieces and paints the finished work.
While the Come Undone exhibit takes up the main floor gallery, downstairs you’ll find a diverse collection of pieces by other Claire Oliver represented artists, which is just another reason a visit to this gallery is always enjoyable.
Beth Cavener Stichter’s Come Undone will be on Exhibit until October 20th, 2012 at The Claire Oliver Gallery, Located at 513 West 26th Street (Street Level) New York City.