All Photos By Gail

For many artists working in the 1960s and ’70s, ideas often superseded the physical making of art. These ideas were typically ideological, structural, and philosophical in nature and conveyed in the form of words, grids, and graphs. By the 1980s, Thomas Schütte and other artists ushered in a return to representation, which some critics described as a response to a “hunger for images.“ Around this time, cherries, watermelon, and other kinds of comestibles became motifs in his work.
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