In the early 1970s, Meret Oppenheim (1913 – 1985) began enthusiastically making collages. Octopus’s Garden (1971) is among the largest and most spectacular of those. This work depicts a fantastical underwater landscape, complete with calcified coral forms, trails of bubbles, and cut-out reproductions of peacock feathers.
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Modern Art Monday Presents: Meret Oppenheim, Fur-Covered Cup, Saucer and Spoon
This Surrealist object was inspired by a conversation between Meret Oppenheim, (Swiss, 1913–1985) and artists Pablo Picasso and Dora Maar at a Paris cafe. Admiring Oppenheim’s fur-covered bracelet, Picasso remarked that one could cover anything with fur, to which she replied, “Even this cup and saucer.” Soon after, when asked by André Breton, Surrealism’s leader, to participate in the first Surrealist exhibition dedicated to objects, Oppenheim bought a teacup, saucer, and spoon at a department store and covered them with the fur of a Chinese gazelle. In so doing, she transformed genteel items traditionally associated with feminine decorum into sensuous, sexually punning tableware.
Fur-Covered Cup, Saucer and Spoon (1936) is part of the permanent collection of the Museum of Modern Art in NYC.