The British textile and fashion designer Celia Birtwell has been a close friend and confidant of David Hockney‘s since the 1960s. Sharing northern roots and a similar sense of humor, the two found that they had much in common from their first meeting, and together they were at the heart of Bohemian London. Hockney has always been fascinated by the changing nature of Celia’s face and she remains, to this day, one of his favorite models.
Pablo Picasso created this work, Woman Dressing Her Hair (1940) in the months prior to the German occupation of Royan, France, where he fled from Paris as the Nazis advanced across Europe. He depicted a woman inside a boxlike room barley bigger than her body; her massive figure is awkwardly compressed and her contorted body juts this way and that. Transforming a familiar and typically serene subject in art history — a woman grooming herself — into a powerful grotesque, Picasso lent expression to the anxiety and confinement that attended this dark period.
Photographed at the Museum of Modern Art in NYC.
Although Stuart Davis did not travel to Paris until 1928, he was well versed in avant-garde European art, including the innovative still lifes of of Pablo Picasso. Super Table (1925) experiments with the nature of the genre, toying with issues of illusion and perspective. Davis was also influenced by popular advertisement imagery, and his graphic style evokes the mechanical, cartoon like forms of commercial printing that were the hallmark of American culture
Photographed in The Art Institute Chicago.
Allouche Gallery is currently hosting the first major exhibit in their beautiful new home in the Meatpacking District — and what a way kick things off! Guernica features the debut of eighteen new paintings by contemporary Pop and street artist, Ron English.
The series, which took two years to complete, references the artist’s own narrative to Pablo Picasso’s renowned Guernica, painted in 1937. English utilizes the Guernica template to relay powerful messages about the endless cycles of creation and destruction through the use of his globally recognized imagery and iconography.
It is great fun to see how English — who is a genius at manipulating pop culture icons and tropes — fluidly riffs on Guernica to include everything from The Flintstones to Star Wars to Guitar Hero.
Ron was present at the opening reception, and he is always very gracious when it comes to signing and taking photos with fans.
The painting above has the names of popular fast food or fast casual restaurants stenciled just under the images.
Guernica By Ron English will be on Exhibit Through October 19th, 2016 at Allouche Gallery, Located at 82 Gansevoort Street (Across from the Whitney Museum) in New York City’s Meatpacking District.
American artist Patrick Henry Bruce (1881-1936) painted Objects on a Table (1920-21) in France, where he lived from 1904 to 1936. This still life depicts cut fruit, a glass with a straw, block-like shapes, and an architectural column with clean lines, geometric clarity, and cool tonalities. The painting exudes a rational stillness, especially when compared to Cubist still lifes by Pablo Picasso and Georges Braque. In fact, Objects on a Table marks a deliberate and profound departure from Cubism, which gained negative associations during World War I because its fragmentation of form appeared to visualize the conflict’s deadly destruction.
Photographed in the Metropolitan Museum of Art in NYC.
Hey remember back in the spring of 2013, when Jeff Koons launched his magnificent Gazing Ball series? I sure do. Gazing Ball was a collection of stark white Greco-Roman statuary, augmented by assorted replicas of common objects such as a Mail Box or Snowman, each of which was enhanced with a bright blue mirrored globe, also known as a Gazing Ball. Trust me: it was Rad.
So, Gazing Ball is a Thing now. Koons revisited the concept when he created the artwork for Lady Gaga’s 2014 CD, ArtPop, and now he’s done it again with a massive show at Gagosian Gallery in Chelsea appropriately titled Gazing Ball Paintings.
As the title implies, Gazing Ball Paintings are Koons’ copies of works by Famous Masters with a Gazing Ball attached to the front of each canvas.
As much as I am inclined to suggest that Koons “phoned it in” for this series, that is not to say that I didn’t totally love the work.
Because, just as the crappiest attraction at Disneyland is still lots of fun, Jeff Koons is Jeff Koons. He could go full-on Yoko Ono and I would still go see the show.
I should probably mention that photography using a “Professional Camera” — which is what the Gagosian staff call a point-and-shoot camera — is not allowed. You can only take photos of the art using a Smart Phone or, I am guessing, an iPad. Lame City.
Up Next: Gazing Ball with Food.
Jeff Koons Gazing Ball Paintings will be on Exhibit Through December 23rd, 2015 at Gagosian Gallery, Located at 522 West 21st Street in the Chelsea Gallery District. Jeff Koons!
In the early 1920s, in response to the industrial age and increasing consumerism, Stuart Davis began to incorporate commercial goods and advertising graphics into his art. Edison Mazda (1924), with its flattened space and collage-like composition, resembles the Cubist still lifes of Pablo Picasso and Georges Braque. But rather than portraying pipe racks and candlesticks, Davis includes a contemporary manufactured object: a blue, seventy-five watt light bulb.
Photographed in the Metropolitan Museum of Art in NYC.